Video Clips

Previous Blogs by subject:
NBC's Kings
BBC Passion
Bible Series

Previous Blogs by date:
July-Dec 2012; April-June 2012; Jan-March 2012
Oct-Dec 2011; July-Sept 2011; April-June 2011; Jan-March 2011;
Dec 2010
Oct-Nov 2010
Aug-Sept 2010
June-July 2010
May 2010
March-April 2010
Jan-Feb 2010
Nov-Dec 2009
Oct 2009
Sept 2009
Aug 2009
July 2009
July 2009
May-June 2009
April 2009
March 2009
Feb 2009
Jan 2009
Dec 2008
Nov 2008
Oct 2008
Sept 2008;
Aug 2008;
July 2008
June 2008
May 2008
April 2008
March 2008
Feb 2008
Jan 2008
Dec 2007
Nov 2007
Oct 2007
Sept 2007
June-August 2007
May 2007
April 2007
March 2007
Feb 2007
Jan 2007
Dec 2006
Nov 2006
Oct 2006
Sept 2006
June 2006
May 2006

The Blog Page edubloggers

Faith and the Arts:
A Religion Teacher's Reflections, Ideas and Practices

It is completely free to access the resources on Faitharts and, if requested to use the weekly newsletter. But any donations using this button below will help defray the cost of web hosting and other necessary expenses.

Broadchurch has returned for a third season (TV3 and UTV, Monday nights) and while it’s not as good as the first season, I still enjoy the prickly chemistry between Detectives Miller (Olivia Colman) and Hardy (David Tennant – it’s a great double act. The story is slow moving so far, centring on a sexual assault case. The story writers, and the fictional cops, handle the crime sensitively, but there’s lot of graphic descriptions, and a sense that we are being subtly preached at as to how such cases should be handled - preaching does not mix well with fiction.
Characters from the earlier series, including the local clergyman, are blended in quite well. In one episode there was a touching scene with the vicar agonising over his role in the parish, and in last Monday's episode misbehaving students from the local school were sent to him for graveyard cleaning work as punishment! The man who brought them had a very dismissive remark about religion. The Rev has been presented in a mostly positive light in the series, a supportive and moderate voice when emotions run very high.






What another great Emmanuel Concert last night at the Helix! It was such an uplifting experience to hear hundreds of young teens singing high quality spiritual songs with such gusto, all under the musical direction of Ian Callanan. I was thrilled to see students from my former school Arklow CBS doing so well, with several solos. It was great to experience the confidence of all the solo singers who sang so well. Some definitely have potential careers in music - the way they comfortably 'owned' the mic and the whole auditorium. It's a winning formula, though this year there were some changes, and they worked well - gone were the slides and instead a few prayer moments led by Callanan and Diocesan Advisor Anna Maloney, who impressed with her striking singing voice. Talk about hidden talent! I was also glad to see music teachers singing on stage or on the balcony with their students. I thought this year's songs were generally more mellow than before, but there were upbeat songs as well - a standout was Callanan's arrangement of 'Wade in the Water'. There were songs for the varying liturgical seasons, but it was strange to be be singing Christmas songs in March - even if it was Liam lawton's beautiful 'Nowell, Nowell'. The audience got a chance to join in on 'Marvellous Things', while the atmosphere was electric when the waving phone lights came out for Matt Maher's 'Abide With Me'. And, as always, the choir from the Holy Family School for the Deaf was impressive. I'm looking forward to listening to the CD.


In the past few weeks I’ve been following the English crime thriller series Unforgotten on ITV. This is series two and the high artistic standards set in series one are thankfully maintained…though really it’s the same plot with different characters – a body is found that has been hidden for years, and gradually the police work out what happened. Several people who have moved on with their lives now find themselves with the truth closing in and their new lives unravelling. Nicola Walker is again superb as Detective Cassie Stuart, incisive, perceptive and sympathetic, while Sanjeev Bhaskar is impressive as her colleague Sunil Khan. 
As seems obligatory these days, the cops have their own personal baggage but it never gets in the way of the main story (a lesson for the makers of Sherlock?). The actors who play the chief suspects are impressive also – the only one who appears to be thoroughly nasty is the victim, and you alternatively feel sympathy and revulsion for the suspects as they struggle, often dishonestly, to confront the past. Their respective spouses, largely in the dark, have their own challenges coping with the dramatic revelations.
There is some bad language, child abuse figures more strongly as the story progresses, and a gay couple trying to adopt a child is a significant plot element. Religion figures very little. On lady with dark secrets in her past is now part of a Muslim community and at one stage we learn that parties where child exploitation took place were supposed to be Bible study sessions to put parents at ease! Oh well.






Last Monday I headed for the National Concert Hall for the second monday in a row to hear the Original Elvis TCB Band and gospel group The Imperials (who sang with Elvis). I was interested in hearing the gospel music, but also three session musicians who had played with Elvis and whose names I'd been seeing on album sleeves for years (incl on many early Emmylou Harris albums) - James Burton on guitar, Glen D. Hardin on piano and Ronnie Tutt on drums. I wasn't disappointed - it was a marvelously uplifting concert. Dennis Jale filled in for Elvis and thankfully, as well as performing the Elvis songs really well, he was his own man, not trying to be a tacky Elvis impersonator. There were plenty of rock 'n roll songs but gospel music was very much to the fore and many of Elvis' gospel favourites were revisited - 'This Train', 'How Great Thou Art', 'Where Could I Go', 'He touched Me' and many more. One of the highlights was American Trilogy, witten by Mickey Newbury, a medley which included 'All My Trials'.


Last Monday I attended one of my favourite concerts ever! It was at the National Concert Hall and featured Olivia Newton-John, Beth Nielsen Chapman and Amy Sky, touring their Liv On album. Able support was provided by Ruth Trimble from Belfast. The vocals, both solo and in harmony were excellent and the musical backing largely acoustic but just right to complement the songs. A few of the songs had spiritual themes, for example Newton-John's song 'Grace and Gratitude', and the Christmas themed 'There's Still My Joy' co-written by Chapman. Ruth Trimble's touching 'Pray For You' comes from her new album Before the Rain. There were sad moments as bereavement was one of the themes on the night, but altogether the warmth of the performers made it uplifting.




The new channel 'be3' started a re-run of Ballykissangel last Sunday night, and I really enjoyed it all over again. It was whimsical and thoughtful, with some colourful characters, all the better because it wasn’t trying too hard to be a comedy. The first series is definitely the best, written as it was by creator Kieran Prendiville. My memory is of later series losing the deft touch of these early episodes. And so, in last Sunday’s opening episode we had the arrival of the hi-tech Confession box, complete with fax machine - and it literally fell off the back of a lorry! The Confession scenes were very funny, though the moral advice given by the young priest was decidedly dodgy, so I'd be wary of using that in class. There was a touching scene where the new priest, Fr Peter, heads out on a night call to attend to a dying man. From later episodes I've used scenes where the local garda feels he has a vocation because a falling statue narrowly missed him (very funny and useful for classes on vocation), and another where Fr Peter tries to protect a family from eviction by a local businessman. Of added interest is the fact that I live near Avoca where the series was filmed and occasionally I spot some past pupils turning up as extras!





I really enjoyed the film Love and Friendship which I rented online a few nights ago. It is based on a lesser known Jane Austen novel, Lady Susan, and was filmed in Ireland. Lady Susan herself, well played by Kate Beckinsdale, is a thoroughly unlikeable character - manipulative, cynical and not very loving towards her daughter, but the joy of the film is its wit and irony, and its barbed social commentary. Religion figured here and there ... there's some funny confusion over the fourth commandment, the obligations of which commandment are teased out several times. There's a young clergyman who is quite enthusiastic but not very intuitive - Lady Susan's daughter comes to him for advice, but gets a learned sermon instead. Mind you he's not as silly as Rev Mr Collins in Austen's Pride and Prejudice. I'd love to see it soon again as there's quite an array of characters and sub plots, mostly based around relationships, so on a second viewing things might make more sense, especially in the opening scenes.





Review of Silence
I was lucky enough to get to the Irish premier of Martin Scorcese's new film Silence a few nights ago. It was quite a challenging experience and I'm still conflicted about it. In writing about it I must be constrained as I must do my best to avoid spoilers.
It's great to see such a highly regarded Hollywood director taking such a deep and serious interest in religion. I doubt it will be a huge commercial success, so I reckon it must be a labour of love. It seems Scorcese has been dedicated to the project for quite some time. Based on the novel by Shûsaku Endô the film tells the story of Jesuit missionaries to Japan in the 17th Century, when many were martyred and some renounced their faith.
There was much to be admired about the film – the cinematography was superb, right from the misty and moody beginning which portrayed a gruesome martyrdom, with the lush greenery and hilly landscapes of Taiwan standing in for Japan. The acting was excellent, especially from Liam Neeson as a Jesuit who has allegedly gone native and Andrew Garfield as a young priest on a mission to find him. Though nearly 3 hours long I found it absorbing throughout, whether in the action scenes (quite violent) or in the more talky scenes where varying approaches to life, religion, culture and universal truths are teased out. Some characters display an intensity of faith and willingness for self-sacrifice that will leave many in a modern audience scratching their heads, mystified. There are deep conflicts between courage, compromise and cowardice – to say these conflicts are thought provoking is putting it mildly. Much of the action is filtered through the Garfield character, whose faith is sorely put to the test.
Trying to discern the overall point of view of the film isn't easy, and maybe it's deliberately so. I didn't find the overall impact uplifting though it was certainly inspiring at times and challenging throughout. The attitude to religion I found ambiguous, and I suspect that Christians, Buddhists and non-believers alike will all find something to lift them and something to cast them down. The ambiguity was there right to the end. What's not ambiguous is the reality of human weakness, especially in the face of tortuous dilemmas. In some respects it seems to show martyrdom in a poor light, and yet one could also find admiration for the courage of martyrs. There was little ambiguity in the matter of religious intolerance – the suffering inflicted on the local Catholics and the visiting priests came across as a thorough indictment, with plenty of resonance for modern times. I felt that the motivation of the local political figures in seeking to crush Christianity could have been clearer.
There are negatives. I though the inclusion of the 'voice of God' in a few instances was rather random and presumptuous, even if it was possibly in the mind of one of priests. The cruelty portrayed was intense throughout, and some will find it overly graphic. For the most part the best lines and prominence are given to priests who renounce their faith while those who don't are under-developed as characters. No doubt the director found their struggles the most interesting and complex. It is worth noting that those who renounce their Catholic faith seem spiritless after that but were passionate and energetic before it.
At times I thought this was a truly unique film, and in many ways it is. But then I was frequently reminded of other films – The Passion of the Christ (extreme violence in an artistic religious film), A Man For All Seasons (martyrdom, conscience v state), Apocalypse Now (seeking a prominent figure who has gone rogue), The Mission (historical, cultural differences, epic sweep). There were plenty of Biblical parallels, especially linking the sufferings of the priests to the Passion of Christ. For example, in a Palm Sunday moment, though reversed somewhat, the Garfield character (who looks like traditional images of Christ at this stage) arrives into a town on horseback (or was it a donkey?) a prisoner reviled by the people. There are resonances of Gethsemane and several crucifixion motifs. At one point the Garfield character is accused of arrogance for relating his sufferings to those of Christ.
As regards educational use I'd be doubtful. Apart from the length of it, the vicious cruelty, torture and graphic killings are a big problem for school use. As regards faith I suspect young people might just find it weird, and it could as easily shake their faith as nourish it. At the very least it's a film for those of mature and firm faith. Plenty of background information and context would be needed beforehand and a lot of guided discussion afterwards. That being said individual clips might be useful – for example there's a striking scene of Eucharist and quite a few Confession scenes, including several featuring a Japanese man who confesses the same sin of apostasy several times, is always sincere and always sins again – to the point of these scenes acting as comic relief.
My reactions to the film are still in a state of flux, so I may revisit!

As regular readers know I like collecting Confession scenes, always useful in teaching about the Sacrament of Reconciliation. I got an impressive one last week in an episode of Humans, a futuristic drama series on Channel 4, now in its second series. The story is about robots, or synthetic people ('synths') that develop consciousness. There is some questionable adult content, but also a thought provoking take on the future, humanity, human consciousness and how we treat those who are different. In last week's episode a newly conscious synth is searching for meaning, and goes into a church. His Confession scene is funny, touching and respecful. He says that service to others satisfies him, which the priest encourages, but his fist post-confession attempt at helping an old man with his shopping doesn't go too well. It wasn't the first time the show turned its attention to religion - in the first series one of the kindest and most morally aware of the conscious synths actually said a prayer.
Needless to say there are shadowy government departments getting involved as well as dubious corporate entities. There may be no certifiably mad scientests but the question is certainly raised about how far one can wisely take artificial intelligence. There's also the issue of robots replacing humans in the workforce - in one episode it seems like a man was made redundant by a an artificial intelligence. In another there's a town that is, by choice, synth-free.
Relationships between humans and synths are tricky, and even include some of the joys and heartbreaks of human to human relationships.
Modern identity issues are referenced by a new phenomenon to the second series - humans, especially children, identifying as synths - speaking robotically and affecting glazed eyes. Also new is the creation of synthetic children with none of the down sides of real children! Last week's episode started with a disturbing TV ad for this 'product'.
Brave new world or what!



The Missing (BBC One Wednesday nights) is the second season of this mystery series about people going missing in the most criminal of ways.  The plot is complex and there’s lots of time shifting between the time of a missing girl’s return and later investigations. You couldn’t afford to miss any of it -  hard enough to keep up when you are fully focused. The best thing about it is the fine acting, the emotional intensity and the very human characters. Tchéky Karyo is superb as Baptiste, the French detective investigating the disappearances of young girls. It’s an international affair as the action takes place in France, Germany, Switzerland and even Iraq where Baptiste even comes under fire from ISIS fighters. All in all it’s the humanity of the characters that impresses – Baptiste is conscientious, troubled, ill, and passionately committed to finding the truth, way above and beyond the call of duty. Keely Hawes delivers an award-potential performance as Gemma, the mother of the missing girl, traumatised by her daughter going missing and her husband’s adultery. There’s some ‘adult content’, especially in the first episode – I suspect such scenes get into first episodes to get a higher rating or to ensure broadcast after the watershed. An abortion was discouraged in last week’s episode yet predictably, the pro-choice perspective was driven home as well, as it was in this week's episode. Surrogacy has surfaced as a minor theme, but as dark secrets are revealed, sometimes to devastating effect, things can go from major to minor in a hurry. This week's episode was the second last and ended with a startling revelation, but I try to keep this a spoiler free zone!

Meanwhile, a more gentle drama, My Mother and Other Strangers, continues on RTE 1 Tuesday nights and BBC One Sunday nights. The setting is Northern Ireland during World War II when the arrival of US soldiers to a rural air base causes predictable conflicts with the locals. In the first episode a young airman is physically warned off dating a young local girl, Emma Coyne, while in the latest episode there’s a slowly growing chemistry between an older army officer and Emma’s mother, a local married teacher, Rose  – a strong performance from Hattie Morahan, better known as the neurotic Jane in the comedy series Outnumbered. So far it’s all very principled, touching and innocent but if the cliché route is taken the outcome is predictable. The events are narrated from the adult perspective of her son Francis, a young boy at the time of the war and it’s all very human and credible, though being set in Northern Ireland it’s unusual that the sectarian divide doesn’t figure, at least not in the first two episodes. Religion or church going hasn’t featured much, which is hardly a fair representation of the place and time, whichever community is involved. In this week's third episode (coming up on BBC one Sunday) there is a short funeral scene, followed soon by a Confession box scene (another one for my collection!), so we finally find out that the Coynes are from the Catholic community. Rose's husband Michael (Owen McDonnell) goes to Confession and is sincere. The priest (Michael Colgan) does his job but is rather worldly and unappealing, wangling restitution of stolen goods to suit himself, and not in any 'lovable rogue' way ... not a good role model! The clip could be a teaching moment though on the Sacrament of Reconciliation.

I’ve been following a particularly entertaining  crime drama, Paranoid, on ITV Thursday nights. It’s adult drama in a good way, with a sense of morality that’s sometimes dodgy and sometimes strong but with a multi-layered plot and strong belief in humanity and intriguing characters. Lesley Sharpe is wonderful as Lucy, a Quaker women with an appealing calmness in the midst of dark events related to dubious drug trials. In fact excessive pill popping is a strong motif throughout. A chemical company has a giant see-though statue of Jesus full of pills in the lobby – troubled cop Bobby (Robert Glenister) takes offence and smashes it in one visually dramatic scene. Indira Varma is the annoying-appealing detective Nina who makes questionable relationship choices but is thrilled at an unexpected pregnancy. Alec, (Dino Fetscher), her colleague, has to be one of the nicest, most obliging and unflappable cops in TV crime drama, with quirky German detective Linda (Christiane Paul) coming in a close second. Though only on ITV for now, it will probably come to UTV Ireland before too long. More info at IMDB.




I was saddened last week to hear about the death of Leonard Cohen, wrote about it in the email newsletter but should have put something here sooner! I enjoyed much of Cohen's work especially those songs that used religious imagery or touched on spiritual themes. Favourites include 'Joan of Arc' and 'Song of Bernadette', both collaborations with the wonderful Jennifer Warnes. There are so many excellent versions of 'If It Be Your Will', and 'Come Healing' is a fine reflection on mercy. 'Going Home' is a particularly apt reflection on he really has gone 'behind the curtain'. It seemed to me that Cohen was in some ways haunted by the idea of God, that he was playing a kind of hide and seek with God. I hope they have now found each other. The refrain on one of his last songs, 'You Wan't It Darker' was 'I'm ready Lord'. I was glad I saw him live at the 02 in Dublin in Sept 2013 ... a marvellous concert. I've used some of his songs in class when exploring the topic of faith and the arts, though I'd be cautious with use in the RE classroom - not everything he wrote seemed to be consistent with Christianity and there's plenty of 'adult content' in his romantic songs.

I enjoyed the eclectic collection of contemporary God-related songs on last Friday’s Spirit Level on RTÉ Radio 1. This series, presented by John McKenna, was originally broadcast in 2002 so the focus was on late 20th Century material. Some seemed dated, like the Byrds' repetitious Jesus Is Just Alright, and George Harrison’s Hindu related My Sweet Lord. As McKenna suggested, Johnny Cash gave new life to U2’s One and most appealing to me was the Roches’ Each of Us Has a Name, a gentle song based on a Hebrew prayer. Chuck Brodsky’s Our Gods was a hard-hitting broadside against the way we often manipulate God and religion – “we serve our gods in such humourless ways…how often do we say I love you?”Challenging!

I was very saddened to hear of the death (Sept 10th) of religious artist Elizabeth Wang. She was very generous in allowing use of her work for educational use and I've used her works many time on Faitharts. You can read about here on the Radiant Light homepage. Hopefully her artwork will continue to be available.

It was great to meet yet another group of enthusiastic RE teachers yesterday at the Killaloe Diocese cluster day. My own presentation was about using films in RE and I've created a Blendspace lesson that includes some of the clips I used and others. I'm including it here below. Great also to meet teachers and friends at the RE congress in Maynooth last Saturday ... Blendspace also featured in my IT workshop. Well worth signing up for a free Blendspace account and using it to gather and present resources. This online tool requires no downloading of software and is particularly useful for arts resources.


Robert Duvall is one of my favourite American actors so I was glad to see him interviewed on The World Over Live (EWTN) last Thursday afternoon. Presenter Raymond Arroyo was well informed on Duvall’s films and had some acting experience himself which helped when they discussed various acting coaches and styles.  (see video above - the interview starts around the 29 min mark)
I had forgotten that Duvall had played Boo Radley in To Kill a Mockingbird, but well remembered powerful performances in The Apostle, Apocalypse Now and his 2010 film Get Low which was the main focus of the interview. Unfortunately, one of my own favourites, the low-key Great Santini didn’t get a mention.
Duvall’s philosophy on life was to travel on the journey from cradle to grave doing positive things and not stepping on too many toes. He admired the black preachers in the USA, sometimes they were like ‘surrogate fathers to their communities’, but took issue with preachers who thought one’s final destination was predetermined – judgement, he said, was on the other side of the grave. 
The interview was at times a little awkward - sometimes Arroyo seemed to be trying too hard to impose a pattern of redemptiveness on the films but Duvall was reluctant to agree entirely, pointing out some of the unsavoury characters he had portrayed, like Stalin and Eichmann. But he accepted that he had played many characters forgotten by the world but with depths to their lives, secrets to be told, amends to be made.

A few weeks ago I reviewed the start of BBC drama One of Us (see below). After many plot twists, an unsavoury scene or two and some muddled morality, that show came to an end last week. I must admit I didn’t see the shocking denouement coming. And the most overtly religious person being so villainous smacked of the cliché and prejudice.

I stumbled on the last episode of TV3’s drama Smalltown last week. I missed earlier episodes due to its low key arrival on screen and maybe it was all the better for the hype deficit. Yes it was slow, felt stilted at times, had unnecessary profanities, but I thought that it rang true on an emotional level. That episode was tough to watch, focusing on the death of a mother. I doubt if anyone who had suffered a recent bereavement would have been able for it. Pat Shortt, as the woman’s husband, showed yet again how good he can be as a serious actor, and Barry Barnes excelled as a sympathetic priest character who was portrayed very positively. There was a touching Rosary scene at the death bed, and the priest was good with the two brooding young sons. He had no glib answers to suffering and death, was rather vague on the afterlife, but was very much there for the grieving men. I was surprised then that he didn’t figure in any funeral scene, the concentration being on aspects of the funeral that took place in the home. I liked what one of the lad’s foreign girlfriend said, finding the locals nosey – ‘they stare, but they care’. Likewise the father’s suggestion that they give the house ‘a rub’ so the gossips visiting will have one less thing to talk about.


Usually you have to wait for the new season to find some good new dramas, but BBC One got off to an interesting but early start Tuesday of last week with an intriguing new crime drama, One of Us.
It was all a bit confusing at first with an array of seemingly unrelated characters, but one thing was for sure – a newly married couple was murdered rather gruesomely. They were just back from honeymoon, and she was visibly pregnant. Rightly there were warnings of disturbing scenes. We could see from wedding clips that they were very much in love, but showing the bride heavily pregnant was a curious choice. When the news broke with both families, one parent naturally enough asked about ‘the child’. Another early scene was set at a church service where the clergyman explored the nature of suffering – it was in reference to the destructive weather, but had a resonance for what was to come. One young fellow at church spent more time playing with his phone than listening. Between that and his father playing Hank Williams on the way home, Sunday morning was not a happy time for him!
The families were of course devastated by news of the murder, and it seems they have some dark secrets, but the plot took a peculiar twist when the murderer had a car crash near the victims’ families and was seriously injured. Unbelievable coincidence I thought, but then we learned he had their addresses in his pocket. Cue a major moral dilemma for both families when they discover he’s the one who murdered their children, and there are varied responses to the situation, some decidedly more moral than others.
Two veteran actors add substance – our own John Lynch (recently in Dickensian)and Juliet Stevenson (who played Mother Teresa in The Letters), while the lesser parts are well filled. A good start, so I’ll be tuning in again.

Apart from the catechesis and general spiritual uplift World Youth Day is always marked by a creative use of the arts. Last week in Krakow was no exception. To keep track I relied mostly on EWTN and Salt and Light TV, US and Canadian stations respectively that provided live coverage of the major events. The Knights of Columbus Channel on YouTube was also excellent – it was there I caught up on a musical worship experience with Matt Maher and Audrey Assad, two of the most prominent Catholics on the contemporary Christian music scene. I'm posting here that full concert/worship experience.

 RTE deserves credit for broadcasting the closing Mass last Sunday morning, with our own Michael Kelly ably taking care of commentary duties in a most gentle and unobtrusive way. Pope Francis wove a challenging homily around the Zaccheus story, while the choir and youth orchestra were amazing, both musically and visually. Towards the end of the Mass a small singing group gracefully sang an infectious WYD anthem as they sang: ‘Jesus Christ, you are my life’. 

I love a good ghost story and BBC does it better than most. 
Their latest offering is The Living and the Dead, a drama series running on BBC One on Tuesday nights. Colin Morgan is intense as a young 19th Century psychologist taking a while to realise that strange goings on in his locality have a supernatural basis. He assumes psychological origins at first when the vicar’s daughter starts acting strangely, but is open to other ideas and in the first episode performs a sort of emergency Baptism when he finds out that the person allegedly possessing the girl was never baptised. And it seems to work.
Fair enough the plot is ropey enough – young couple moves into new house, things go bump in the night, man naively reluctant to accept there’s anything spiritual going on … we’ve seen it before many times, but the creepy mood is well created and there’s a fine attention to period detail, with some striking cinematography. Like the best dramas it is character driven, and best of all you can care about the characters – flawed individuals trying to do their best in a difficult situation.
In last Tuesday’s episode the focus shifted from the possession of the vicar’s daughter to ghosts of young boys killed in a mining accident, with a loss of focus on the initial story, and I wondered if it wasn’t going to be ghost-of-the-week stuff . If so this rural area must be a hot bed of dubious spiritual activity, as, say, Midsomer attracts more than its fair share of murders! There was a curious discussion between him and the vicar, with the vicar being the one to dismiss the idea of ghosts, but when they got down in the mine the vicar was the one praying and the psychologist the one questioning God.
Children figure large in the storyline but the show certainly isn’t suitable for children, though any ‘adult content’ is fairly restrained. 

As regular readers of this blog know I love a good crime drama and I find English ones far better than their American counterparts.
So I was glad to see the start of a new series Unforgotten, on RTE 1 Tuesdays. It’s a 12-parter, generous by English standards, and originally made for ITV. The leading role is played by the excellent Nicola Walker (brilliant as a dead woman in last year’s River) as a police inspector, Cassie Stuart, investigating a 40 year old death when a body is found buried in an old cellar. She’s supported by an impressive cast including Tom Courtenay, Trevor Eve, Gemma Jones and Cheri Lunghi. The first episode threw a dizzying array of seemingly unrelated characters at us, but of course towards the end it became clear that all these characters were connected in some way to the dead man and no doubt some deep dark secrets will be revealed over the coming weeks. One such character  was an Anglican minister comfortably played by Bernard Hill – Rev. Robert Greaves is likeable, down to earth and charitable but having some low level domestic issues, though I’d better not get too enthusiastic about this positive portrayal of a clergymen until I found out what he was up to in the past!  There's already a hint of financial irregularities in the parish, and the second episode saw him pawning his wife's jewellery to make up the difference.
Meanwhile, over on BBC One, Sunday nights, Wallander is heavier stuff. Based on an original Scandinavian noir, Kennet Branagh again plays the Swedish detective in this latest season. The opening episode a few Sundays ago was just about tolerable, with Wallander transported to South Africa investigating a political crime in the wide open spaces. Two of the characters were missionaries and religious faith figured briefly but positively. However it could have been any detective, and not at all typical of the series, but the last two episodes have seen a return to form in the more brooding and claustrophobic Swedish landscape, with Wallander’s family and health issues back in the frame. It seems modern cops have to have psychological or health issues!
Last Sunday night’s episode brought the short season to a close in a most intense manner. The crime story was well up to scratch but Wallander’s deteriorating health was, if anything, more central, and it was handled in a most humane way.  One could even argue that it was pro-life in the broadest sense, with kindness, empathy, concern and family support the hallmark of an approach to serious illness. I won’t give away the ending but it was one of the most touching and satisfying I’ve seen for a long time.


Earlier in the week I got to see the Notre Dame Folk Choir from Indiana USA in Harold's Cross Church and as always the choir exuded faith and ehtusiasm. This was their 'Pilgrimage 2016' tour taking in Scotland and Ireland. Their programme was a wonderful mixture of quiet inspirational songs and upbeat songs of joy. The choir was directed as usual by Steven C. Warner and Karen Kirner who wrote or arranged most of the songs. There was some fine instrumental backing - keyboards, flute, violin, percussion, cello and guitar which greatly enhanced the performance. It wasn't just a concert - early on we were invited to sing-pray the Lord's Prayer, Warner's version from the 'Mass for Our Lady'. One of my favourites on the night was 'Bless the Corners of This House' based on an old Irish domestic blessing and an Irish reel. I was glad to see a George Herbert poem 'Come My Way, My Truth, My Life' set to music. 'Send Forth Your Spirit, O Lord' was an exhuberant song for Pentecost - I've added a version to my new page for arts resources for Pentecost and the Holy Spirit - check it out here. 'Path of Mercy' is a special song for the years that's in it and I've added a 2015 performance of it to my page for arts resources for the Year of Mercy - here. It was the feast of the Annunciation and they sang a striking Magnificat, with African rhythms - 'Jina La Bwana'. They finished with 'How Can I Keep on Singing' which has become an anthem for the choir, though I wasn't too keen on this uptempo version! All in all a great night and I hope they'll be back before too long.

I suspect everybody has their own favourite style of church building.  Personally I like small intimate oratories as they convey a sense of the close personal relationship we can have with God, but I can also appreciate the great cathedrals with the splendour of their artwork, conveying the awesome wonder of God.
These thoughts were prompted by a fascinating series, Extraordinary Faith, on EWTN. Last Wednesday’s episode focused on modern church buildings, designed and constructed in classical style.  The programme was partly about architectural concepts but was made accessible to the average or ‘lay’ viewer.
Presenter Alex Begin spoke of a revival in Catholic traditions and classic church design.  Among the experts he consulted were Duncan Stroik and Denis McNamara, who had lots of inspiration to convey on church architecture. Some designers just considered the functional nature of churches, but they recommended taking into consideration a much wider field of meaning, asking what was the ‘essential nature’ of a church building, and speaking in sacramental terms. Churches should convey joy, radiance, elevation, glory, and what Vatican II said about sacred art was quoted in support.  It was suggested that much of relevance would be found in the rite of dedication of churches and the theology embedded in it.
Several impressive church buildings in the USA were used to illustrate these points – e.g. the Mundeline Seminary in Chicago, Our Lady of the Trinity Chapel in Santa Paula, California, and the Church of Our Lady of Guadalupe in La Cross Wisconsin. In all cases the internal artwork was regarded as hugely important – the architect designed the frame and then handed it over to the artists.


I was glad to hear an engaging interview with children’s author Megan McDonald on The World Over Live with Raymond Arroyo on EWTN last Monday morning.  She has written the ‘Judy Moody’ and ‘Stink’ series, and is also a librarian and spokesperson for school libraries in the USA. She was so insistent on the importance of books for children in this screen-focused age and was convinced  that children still want ‘the tactile experience of real books’, and noticed how they even hug the books they make their own. Even more so she stressed how important it was for parents to read aloud to children, in spite of how busy we may have become. Her own father had little formal education but inspired his children with his own stories. Her mother gave her the simple present of a notebook for her to write her thoughts, and in this way she began to find her own distinctive voice.  I was surprised to learn that presenter Raymond Arroyo was also a children’s writer (check out ‘Will Wilder: The Relic of Perilous Falls’), and delighted to find that EWTN (the US Catholic channel) was involved in a literacy initiative, ‘Storyented’. At you can find previous interviews with well-known authors and lots of encouragement to read!  

It’s the time of year when we can expect various series on radio and TV to come to an end as the summer season kicks in and so it was with the last episode of The Leap of Faith, RTE Radio 1 last Friday night.
The main item on the show was a touching piece about the late Fr Michael Paul Gallagher SJ, and I’m sad even writing this as I had the benefit of his lectures in UCD and later got to meet up with him at conferences in Dublin. I particularly remember an enthusiastic presentation he gave on Pope Francis at The RE Congress some two years ago. On the show he was remembered by his friend and fellow Jesuit Fr Donal Neary, who journeyed with him on the final months of his terminal cancer, a time captured in his final book of reflections ‘Into Extra Time’, described by presenter Michael Comyn as being an ‘intimate read’ and like a ‘mini-retreat’. 
Fr Neary felt that his friend had lots more to give, but at the end he was definitely ‘ready to go’. One of his main concerns, was the question of faith. He often reflected on ‘atheism Irish style’, which, he thought was  more a case of ‘angst, alienation and anger’, and of course these ‘A Words’ leave room for hope.  He was also deeply interested in the interplay between faith and culture, and was inspired by Cardinal Newman’s ideas on imagination. Fr Neary’s most touching tribute to him was when he said that his friend played to people’s strengths.
Two of Fr Gallagher’s great passions were imagination and literature and I’m with him on both fronts.
You can listen back to the item here.
The programme also features an interview about the Gospel Rising music festival coming up in Ennis this weekend (see News page).

During the week I finally got to see the film Sing Street, having heard it praised widely. In a way it's a well worn plot, with young people starting a rock band (this time in 80's Dublin) - reminiscent of The Commitments, School of Rock and That Thing You Do. In fact there's even a nod to Romeo and Juliet. On the plus side it was very funny in spots, especially in the early stages, as the students assemble the band and find their musical identity. Teachers will find lots to laugh at and even some stuff to shiver at as the students get up to mischief, not all of it a matter of harmless larks. Bullying and domestic discord also darken the mood. The original music is excellent as well, and lead actor Ferdia Walsh-Peelo, effectively subtle in his role as Cosmo, does all his own singing. However there is an element of Catholic bashing and some lazy stereotyping of Christian Brothers (the film is set in Synge St!), which spoils the overall good-humoured nature of the proceedings. Yes, teachers can be bullies as well as students, but tarring a whole group with the same brush wouldn't be tolerated in other circles. I won't include a spoiler but I found the ending rather weak and stretching credulity.



People (Koreans in this case) encountering racist attitudes was central to the plot of the film Gran Torino, shown on TV 3, last Sunday night. I was never a fan of Clint Eastwood’s macho anti-heroes from his early days, but he has matured wonderfully as an actor and director – he filled both roles with distinction for this film. If anything he flipped his usual persona this time, especially  towards the end, but to say more on that front would be too much of a spoiler!
One engaging plot strand had the Eastwood character, Walt, in an ongoing skirmish with the young local priest who promised his now deceased wife that he’d try to get Clint back to the Church. This culminated in a touching and funny Confession scene – the priest, suspicious of Walt's motives, expected some atrocity from Walt’s time in Vietnam, but what Walt was most worried about was kissing another woman at a Christmas party, short changing another person in a deal over a boat and not knowing his sons well enough.

What another wonderful night at Emmanuel! This year the event for school choirs was spread over four nights in The Helix theatre, and I got there on Wednesday night to support my own school Arklow CBS. I was delighted to see quite a few of the Arklow boys getting solos, and they were impressive. In fact all the soloists were excellent .. growing in confidence from year to year. The choice of music was, as always, top notch, with a mixture composers rerepresented, including John Rutter, Liam Lawton, Ian Callanan (music director for the event), Sean O Riada, Dan Schutte, Marty Haugen and many more. I loved the soulful rendition of Matt Maher's 'Lord I Need You' - anthem-like with all the students waving the lights on their mobile phones. The Year of Mercy was acknowledged in many songs, including 'Blest Are the Merciful', the theme song for this year's World Youth Day in Poland, and 'Prayer for Mercy', a medley of 'Kyrie' songs. Unfortunately there was only one song in Irish - 'Ag Críost an Síol', but that was beautiful and enhanced, as all the songs were, by a wonderful slide show presentation that gave me new insights into a familiar song. The musicians were top class on the night and especially noteworthy was the sax and electric guitar work on Callanan's 'Let My Prayer Rise to You'. The Emmanuel event is always a visual treat, but it manages the difficult feat of balancing spectacle and intimacy.


In, Babylon, the recent second last episode of the revived X-Files there was an interesting conversation between Mulder and Scully. They were in a reflective and touching moment after a troubling story of Islamic fundamentalist suicide bombers. Mulder wondered about the ’angry God’ of the Bible (he must have missed the Great Commandment to love) and Scully said something similar about the Koran, but a strand of the plot impressed him. He had seen something ‘that trumps all hatreds’  - the deep and unconditional love of a mother, which had a resonance for Scully as her mother died in the previous episode and some years ago she had given her son for adoption to protect him from nefarious forces. While Mulder had seen love in the episode Scully had seen hate and they wondered how the two could be reconciled. Mulder referenced the Tower of Babel story and Scully reckoned that maybe it was God’s will that we find a ‘common language’ again. Scully thought we needed, like the prophets of old, to ‘open our hearts and truly listen’.
There was certainly openness to belief in God and at the end Mulder, but not Scully, hears a mysterious sound, the sound of trumpets - a phenomenon referenced in an earlier scene  – ‘music as if from the heavens themselves ... as if God himself was making music’. I wasn’t too impressed with Mulder taking banned substances to help him communicate with a dying terrorist. It didn’t help that his tripping was treated comically, with a welcome guest appearance by his old and deceased pals The Lone Gunmen. This surreal sequence featured a pieta-like image that was in poor taste, but maybe it was redeemed somewhat by the way it was linked at the end to a mother’s love. 

It's been around 14 years since the last episode of the TV series The X-Files was broadcast. The final moments included a touching gesture of friendship between Mulder (David Duchovny) and Scully (Gillian Anderson) and a discussion that reflected on the afterlife and the people who have died and gone before us. The series featured many religious themes over its nine year run and I've written about it all here. With great hype and anticipation it returned to RTE 2 last Tuesday and Wednesday night and for the most part I wasn't disappointed. The same creative team is reunited, especially creator Chris Carter and the main actors, and even the opening credit sequence is the same. The main plot line so far focuses on the alien story arc, with lots of messing about with alien DNA. The conspiracy paranoia is stonger than ever, giving Mulder great big wads of turgid dialogue. The style remains so true to the original (better than messing with a winning formula) that they seem to have felt the need to keep reminding us it's 2016, in case we thought these were leftover episodes from the old days! So we get references to Edward Snowden, Obama Care, greater cultural acceptance of gay relationships and Scully makes a knowing comment about finding information in pre-Google days. There isn't much to celebrate on the religious front. Scully, who comes from a Catholic background and still wears her cross, is working in what seems to be a Catholic hospital (Our Lady of Sorrows) but wouldn't you know she discovers there what seems a nasty experimentation programme run by a dodgy doctor renowned for his work to help the unborn. There's a nun who seems a throwback to bygone days ... she supposedly looks after single mothers with problematic pregnancies, has a poor opinion of men and their lies and calls desire 'the devil's pitchfork'! It's all a bit ropey, and some of the violence is more graphic than I remember from the earlier series, but I'm enjoying the nostalgia. There's still a considerable chemistry between Mulder and Scully, and though it was platonic for most of the time, there seems to have been some biology as well as late in the original series it seems they had a son together, and his fate is a central mystery this time around.

Reflecting on Rebellion again - last Sunday night’s third episode was less favourable to religion. Several characters made snide remarks about the Church, while Barry McGovern did a predictable turn as that most familiar of stereotypes, the nasty bishop (I’m not saying there aren’t any!). On the other hand one of the nurses said she felt called by God to look after the wounded, while another was critical of the treatment of Catholics in the North.
One thing I did like about the latest episode was the way it showed some characters having second thoughts about their roles  - Arthur (Barry Ward), in a firing squad, couldn’t bring himself to shoot a civilian and contemplates desertion, Frances (Ruth Bradley) the Pearse acolyte, gets upset after shooting a young British soldier (and finally gets a chance to be more than a cardboard character) and Elizabeth (Charlie Murphy) seems to have given herself totally over to nursing having originally been part of the attack on Dublin Castle.
The series was discussed on Liveline (RTE Radio 1) last Thursday. A very articulate and moderate history teacher complained about the bad language and sex scenes as otherwise she could have used the programme for her history classes. Other callers agreed with her, but guest presenter Philip Boucher Hayes, who thought the show was ‘absolutely brilliant’, wasn’t having any of it. I thought he was particularly patronising and downright silly, when, in response to a caller objecting to the sex scenes, he pointed out that people did have sex in 1916. Duh! I normally like his style, especially his work on Drivetime (RTE Radio 1), and he was back on form when the programme moved on to a challenging discussion of the morality of the 1916 Rising, with Fr Seamus Murphy developing some points he made in these pages a few weeks ago.


I was rather lukewarm about RTE's new series Rebellion after the first episode. The second episode last Sunday didn't improve my opinion of it. Yes, it's interesting and holds the attention but I often found myself getting annoyed with it, whether for the stilted dialogue, the sluggish pace or the gratuious sex thar rules it out for family viewing which is a pity. However I did get some scenes to add to my collection of clips for the 'Religious Themes in TV Drama' Course! In one scene a priest gives Confessions in the GPO, and in another leads the Volunteers in the Rosary. This is probably true to history, but it does raise issues of approval for warfare. Mind you the priest was just obliging Pearse who requested all this and wasn't in any way pushing it.

GravityWatched plenty of films and TV dramas over the holiday period. Finally caught up with the film Gravity, with George Clooney and Sandra Bullock. Eye-popping visuals and a tense storyline, and I was surprised to find some faith elements. At one stage, on a Russian space station attention is given to what looks like an icon of St Christopher carry the baby Jesus, and later in a crisis Bullock's character expresses regret that no-one taught her how to pray.
Then there was the new drama Rebellion on RTE 1 last Sunday. This is one of the broadcaster’s most high profile programmes to commemorate the centenary of the 1916 Rising and after viewing the first episode I’m inclined to stick to the documentaries. The productions values are top class, especially the location work - for example around Dublin Castle and the GPO. They’ve even re-instated Nelson’s Pillar! Like the other two shows reviewed above the ambiance of the times is well created, but while fairly interesting the storyline has too much of the taste of soap about it, with the focus on romance and politics in the lives of three very different women of the time, all three fictional.
Pearse, Connolly and others make occasional appearances, but others are too much like representative types rather than three-dimensional characters. All the romances are unappealing – one woman reluctantly being rushed into marriage by her family, another enthusiastically in an adulterous relationship with a Dublin Castle official, and the third possibly infatuated by Pearse. And we could have done without the crude language that seems obligatory in RTE dramas these days.
There was little reference to religion considering how much faith was important, even as a motivation, to the 1916 leaders and to society in general in those days. There was a priest in background when the woman was being pressurised into marriage and I think that was about it!

Happy New Year to Faitharts followers!

There was certainly no shortage of Christmas music programmes over the Christmas period…loads of the expected carol services, but also a few that were off the beaten track.
One of my favourites was a Roots Freeway special on the Saturday before Christmas. This has become an annual tradition for presenter and veteran Irish bluegrass player Neil Toner – presenting Christmas music with a rootsy flavour. Most it was gospel orientated, though I did like the instrumental Sleigh Ride by mandolin virtuoso Sam Bush. There were traditional and contemporary songs from the likes of Doc Watson and Emmylou Harris, with some Irish flavour as well - John Spillane’s musical version of Kavanagh’s Christmas Childhood poem was particularly evocative, while The Voice Squad sang an excellent version of the Enniscorthy Carol. All well worth listening back to on the RTE Radio Player.
Also recommended viewing on the RTE Player, and also focused on music,  is Higher Hopes, a wonderful documentary shown on RTE 1, on the Wednesday leading up to Christmas. Conductor David Brophy and his team, having made such an impact with the High Hopes Choir in 2014 developed this work with people touched by homelessness by setting up a new choir in Cork. The show was aptly named, as it exuded hope, with plenty of joy, good humour, optimism and insight. It was useful to have a catchup section at the start where the previous participants spoke of the changes the initiative made in their lives… they had found greater self-confidence, some had found housing, some had found work  and some had gone back to education. Brophy wasn’t giving all the credit to the choir venture, but hoped it was an important influence.  The Cork choir thrived, and like those in Waterford and in Dublin, was full of interesting characters.
There wasn’t any overt religious element but that was fine. You could see however that charities like Vincent de Paul were involved and most practices, along with some performances were based in religious houses, churches or oratories, so the support is there in the background.
There were two big highlights - one was when the choirs were visited by Christy Moore and got to record a single with him. Moore was as moved by the venture as much as the choir members were. In a relaxed way he opened up to them about his own struggles with alcohol addiction, an experiences that resonated with many of the singers, and said it was one of his most enjoyable recording sessions in years.  
The other special occasion was when the choirs got to sing at Aras an Uachtaráin after President Michael D. Higgins expressed an interest in their work. Choir members were awed and enthused by the prospect and were pleased that people in the corridors of power were listening to them. It was good to see the President taking a low key role, being a facilitator and appreciator rather than the centre of attention.
It wasn’t the only appearance of the President or the Áras over Christmas. Carols from Áras an Uachtaráin was broadcast on RTE 1 Christmas Eve and Christmas morning. I loved seeing the RTE Concert Orchestra performing in one of the living rooms rather than on a formal stage, and I was impressed by how the biblical Christmas story was told in sand art throughout the programme, enhanched by the fiddle and whistle playing of John Sheehan of The Dubliners. Other musical performances were a matter of taste. Generally  I like Imelda May’s musical style but I’m not sure that the Wexford Carol suited her, though I did enjoy her soulful rendition of A Cradle in Bethlehem, an old Nat King Cole song. Lucy O’Byrne did a fine version of O Holy Night, while Iarla Ó Lionáird sang the haunting Don Oíche Úd I mBeitheal.  Mick Flannery played a rather downbeat love song, Christmas Past and suitably the programme ended with a lively version of We Three Kings by the young Aspiro choir from Carlow – the young performers were stationed throughout the Áras and the fluidity of the camera work weaving through the building perfectly matched the grace of the sand art as this part of the Christmas story was told.


The first Faitharts concert, featuring Ian Callanan and Eilidh Patterson took place last week in St Paul's Arran Quay. Attendance could have been highrer but the music and venue were brilliant I thought. I'm used to seeing Ian Callanan conducting at the wonderful Emmanuel concerts in The Helix, but this time he was in solo performer mode, accompanied by a tight band - 2nd keyboards, bass and guitar. Mostly he performed his own well crafted work, but his cover of 'Winter Song' was also a treat. Derry singer-songwriter Eilidh Patterson's songs were also a hit and since the concert she has released a new EP, six songs including some of the spiritual songs she sang on the night, incl 'Your Love' and 'God Has a Plan'. (Buy it here for £5). Hopefully I'll get to organise another concert in the new year.


Michael Paul Gallagher
Very sad to hear during the week of the passing of Fr Michael Paul Gallager SJ. Apart from his theological work he had a great interest in the arts and how the arts impacted on modern culture. I had the pleasure of listening to many of his talks, in UCD many moons ago and more recently at RE Congresses in Dublin. Apart from being intelligent and inspiring he was a lovely gentle man. May he rest in peace.

Last Thursday evening a creepy new drama series with strong religious content started on UTV Ireland. Midwinter of the Spirit features a female clerical exorcist of the Church of England confronted with a bizarre murder in which a man was crucified, an act she regarded as sacrilege as well as murder. When I saw that her character was called ‘Merrily’ I thought it was going to be lighter, but this show is light years away from Vicar of Dilby – it takes the presence of intense evil very seriously. It opened will a training session for exorcists , when the trainer insisted that when something apparently supernatural happens all natural explanations must be ruled out first. He declared that ‘deliverance ministry requires a wide skillset’ and believes Merrily has potential in the area because she’s neither fundamentalist nor ‘happy clappy’!  He warned that she’s vulnerable because her husband has died recently and because she is a female minister. She encountered a canon who feels he is failing in his struggle against a great evil in the parish, and a deeply nasty man whose evil seems to live on after he dies in Merrily’s presence. It’s not for the faint-hearted, and apart from that I’m always uneasy to see religious symbolism used in gruesome horror stories. The ‘joy of the gospel’ isn’t in evidence, but at least evil is recognised for what it is, faith is prominent, and there are good, but flawed, people struggling to cope as well as they can. Of interest to those into faith and the arts, but of dubious value for school use considering the dark nature of the material!

One programme last Sunday afternoon had a lot of timely messages about prayer – that it's not about manipulating God, that you can't expect all prayers to be answered immediately in the way you expect, that it shouldn't be about selfishly seeking to accumulate material goods.
This was brought to us by an episode of The Simpsons on Channel 4. Homer notices how neighbour Ned Flanders was falling into lots of good fortune, and credited prayer (as well as flossing!). Homer tries his hand and after a few initial successes (like finding his TV remote) prays for a bigger house, whereupon he gets the deeds of Rev Lovejoy's church after a lawsuit. His wife Marge is not pleased – God, she scolds, is not some sort of holy concierge and you can't keep bugging Him. Lisa tentatively sees the move to God's house as offering her more opportunities to 'cloister' herself, but soon Homer has turned the place into a den of ill repute. There is much Biblical resonance as God gets displeased with the goings on and sends a flood, but Rev Lovejoy, having abandoned Springfield to its sins returns dramatically (by helicopter) and pleads with the Lord for mercy. Sin gets a whipping, there's valid commentary on sin and human vanity, God is portrayed in a good light, though there are a few digs at his smiting and anger. Seeing the church getting thrashed is unsettling, and Homer playing the cross like a guitar was more than a bit off - Homer's disrespect certainly, but it was in no way approved.

Viper Central
Was lucky last weekend to attend the annual Bluegrass festival in the Ulster Folk Park in Omagh .. what a great venue! The music was excellent if you’re into roots music, and it was great to hear bands including gospel music in their sets .. I was particularly impressed by Viper Central (pictured above) from Canada and delighted to come away with their gospel album Live at the Street Church.
Here’s a flavour from a 2011 concert:

I was away at the Edinburgh Festival ... and wow what a huge range of music and theatre events! The amount of religious content wasn’t great, but it was good to see St Mary’s Catholic  Cathedral involved with lunchtime concerts and also shows on in the attached Camino theatre space. The Protestant ‘kirks’ also featured some fine music and I was lucky to see a performance that included some religious music from Irish group Ardú in St Giles Cathedral.
One of the musicals I saw was an American High School production of Zorrowhich was quite colourful and energetic. This featured a confession scene that reminded me of the one in Hamlet in the latter one man’s confession was used by another to plot revenge.

Best wishes to all teachers for summer holidays finally arrived. I'll keep up the email newsletter for the summer (use contact details on left to sign up) as I'm sure there will be plenty of events worth noting and plenty of useful programmes on the media. Summer's a good time to build up a stack of resources for the coming school year. I'll keep posting on the Facebook page as things arise but I only do 'Resource of the Day' during school time.

On that page I've flagged two songs for the Trinity Sunday (May 31st) - 'Lord of Love' sung by Michael Card and Charlie Peacock from the album 'Coram Deo'. (clip above) and 'Patrick's Shield' by Ronan Johnston and Emmaus from the album Mountain Top and

I managed to get to a few of the Bible Week events during the week, and arts wise I was glad I got to Frank Brown's presentation on film and the Bible in St Paul's Arran Quay. There were interesting film choices and some news of upcoming films about Pontius Pilate, the Council of Nicea and more ... seems like biblical films are 'in' at the moment .. e.g. the recent Noah and Exodus Gods and Kings. Frank is a pastoral worker in Rathmines parish and runs a film series 'Movies that Matter' with young people in the parish.

Whenever I review a programme in Irish it's usually from TG 4, but An Coláiste Éireannach was broadcast on BBC 2 Northern Ireland, Monday night of last week. Dr Art Hughes presented an enthusiastic celebration of the life of 17th Century Franciscan Luke Wadding, who set up two Irish colleges in Rome. Hughes described it as 'phenomenal achievement' that the colleges were still thriving today. Wadding's back-story was fascinating. Of Old English stock he left Ireland at age 16, but kept a strong commitment to Irish culture and spirituality. Eventually he was sent to Rome by the King of Spain to promote the teaching of the Immaculate Conception but in parallel set up the Irish colleges and kept Irish cultural identity alive - seen in the many Gaelic inscriptions and the pictures of St Brigid and St Patrick. In fact we were told that Wadding was the responsible for St Patrick's Day becoming a national holiday - apparently this happened for the first time, in Rome, in 1630. This informative programme was as much about art as it was about faith as we were treated to a guided tour of the many wonderful frescos, especially in St Isodore's College, though one chapel was largely empty however having been looted by Napoleon's troops.

I'm sure some would dispute The Simpsons being regarded as art, but last Thursday's episode 'The Simpsons Bible Stories' on RTE 2 was imaginative, topical and religious. In the opening sequence Bart writes his punishment on the blackboard, 'I cannot absolve sins', and the notice board outside the First Church of Springfield declares - 'Christ Dyed Eggs for Your Sins', perhaps a dig at our peculiar Easter habits! At church on the 'hottest Easter ever' (!) Rev Lovejoy' long readings from the 'Good Book' send the Simpsons asleep when the bible stories mingle with their dreams. Homer and Marge play Adam and Eve (with pre-banishment fig leaves) and Flanders is a generous God until the whole apple eating thing ('Applegate') when he is portrayed as a God who bears a grudge, something of a sour note there that should prompt discretion where young students are concerned. But then I think it would be naive to regard the Simpsons as a children's programme, despite the colourful cartooning. At the end of the show the Simpsons wake up (or do they?) to find an empty church. Outside it's the Apocalypse in full swing! The Flanders family ascends to Heaven and Marge wonders why her family doesn't, until she remembers, ' Oh right, the sins'! Cue descent into fiery pit, which Homer takes to be a barbecue.

The Ark (shown Monday of Holy Week) was an original BBC drama based on the story of Noah. The advance publicity said it was based both on the Bible and elements of the Qu'ran, but there certainly was as very modern sensibility about it, with the ancient background being used to air more contemporary debates. For example, Noah discusses the science-religion debate with a rich trader, talks agnosticism with his son, while another son wants himself and his wife to have their 'own space'. The best thing about it was the touching and credible relationships in Noah's family, under severe strain when Noah (well played by David Threlfall) tells them that God wants him to build an ark in the desert during a drought.
Noah is a sympathetically portrayed man of strong, well-articulated faith, and, while other viewpoints are aired, there is no attempt to be cynical or debunk religious faith, very much the opposite in fact. Noah's relationship with God is reasonably well teased out. The news about the oncoming flood is delivered by a messenger, who appears miraculously, presumably an angel. Noah trusts God and sets about the strange task, and he hopes that his own sons will trust him the way he trusts God, but it doesn't entirely work out that way. The location work and cinematography are impressive, with the desert being almost like another character, while the nearby town is a den of iniquity and permissiveness.
This film is much less concerned with spectacle than the recent Noah film featuring Russell Crowe. If anything the flood when it comes is a bit of an anti-climax and I did think it all ended too quickly. Clever, though, how the flood is portrayed as a tsunami. Once again the BBC has produced a religious drama that is imaginative, modern and respectful, taking religion seriously and working well on an artistic well.

With the feast of the Annunciation coming up next week I've been looking at various relevant resources. On the Faitharts Advent Poems Page there's a poem Disclosure by Daragh Bradish, then there's the Denise Levertov poem Annunciation and at this link it's accompanied by the Fra Angelico painting of the Annunciations.
I love the way BBC's Liverpool Nativity gave the event a contemporary twist. The video clip above features the Annunciation like you've never seen it before!

What another wonderful Emmanuel event last night! School choirs gathered from all over Dublin Diocese to sing the best of modern and traditional liturgical music under the direction of Ian Callanan. I was particularly struck this year by the quality of the solo singing. I loved all the songs but a few stood out as exceptional - 'Holy Ground' by Liam Lawton was a most appropriate opening song, 'No Greater Love' by Irish composer Feargal King was blessed with a fine solo and some tasty sax work, 'God Is' a beatiful song recorded by Holly Starr was noteworthy by the students waving their lit up mobile phones. Callanan's own 'Holy Is His Name' had all the choirs signing along with the wonderful choir of St Mary's School for Deaf Girls in Cabra, whose presence has enhanced the Emmanuel concerts for many years now. There were songs in Irish, English and Latin, older songs like 'Veni, Sancte Spiritus' and modern anthems like Matt Redman's 10,000 Reasons (Bless the Lord).


The cloistered religious life featured Tuesday night of last week in the fictional Midsomer Murders (UTV Ireland). Misdsomer is one of the these quaint English towns that attracts murder at an alarming rate. The series must be quite popular to have lasted so long but I find it rather limp. Last week's episode had a nun and a priest murdered, so the police had to enter the cloisters. I don't remember the convent being mentioned before and indeed one of the characters didn't even know the place existed until the nun's murder. It was a dwindling congregation, struggling financially, but, typical of the genre lots of people, including the remaining nuns, had secrets. I thought I detected a faint distaste on the scriptwriter's part towards the nuns and religious life. One of the police forensic team called the nuns 'crows' and said her convent education had led her to be a 'rational atheist'! The nuns were dedicated, but some weren't that pleasant, and the detectives seemed bemused by their lifestyle - e.g. one asking what an elderly nun's name was 'in real life'. The stereotypical Reverend Mother put him right on that one. A younger nun was very enthusiastic, modern and spiritual, though she too had a secret, one that turned out to be innocent. The main detective asker her at the end how she was going to get more entrants in these modern times and she answered that it would be through faith and prayer. Could hardly argue with that. The hard-drinking local priest was generally disliked and came across as a rather slimy character. It was hard to get any sympathy worked up when he became the second murder victim. The bishop however was portrayed sympathetically and the young nun's final vows ceremony was touching, with a muted interior kind of joy. A few clips would be useful for RE - especially in scenes involving the young nun, Sr Catherine, talking about her vocation.


I finally got to see the film Selma last night and it was certainly worth the trip. David Oyelowo was excellent as Martin Luther King and even better was Carmen Ejogo as his wife Corettta. Their relationship was one of the most interesting aspects of the film, but it wasn't thoroughly developed... things were more hinted at and the actors, especially Ejogo, conveyed the emotional subtleties really well.
The film seemed to accept to some extent the stories of King's womanising tendencies, while at the same time hinting at FBI plots to discredit him. King came across as confident and sure footed in public, but conflicted in private, as he tried to steer a non-violent path on the way to getting for black people vindication of their right to vote - the right was there in Alabama, but country officials threw so many obstacles in the way of registration that it was practically impossible.
The filmmakers were wise to concentrate on this one particular phase of King's life, culminating in the famous civil rights march from Selma to Montgomery. The first effort to cross the iconic bridge in Selma was met by brute force on the part of the police and that is conveyed in an effective but quite frightening way. Moments like these are unbearably tense and necessarily violent, but at least our sympathies were with the victims and not the perpetrators.
Conflicts within the movement were acknowledged and highlighted which guards against the film being overly sentimental, though there's an understandably triumphal mood at the end.
Religious faith is prominent in the film and sympathetically presented. King, a pastor, is obviously motivated by his faith, as are many of his supporters. At the march, supportive priests, ministers and nuns are very much in evidence. I thought some early scenes were a tad lethargic and overly talky which would make classroom use of the full film tough going, and with hints of King's affairs and a little bad language it mightn't be appropriate for juniors anyway.
Overall I found it an inspiring and moving film and can see plenty of opportunities for school use, especially using clips, in teaching themes like human dignity, justice, politics and faith, courage, maturity of conscience and more. Suitable scenes include one, early on, where a black woman, played by Oprah Winfrey, is thwarted in her efforts to register for voting. Any of King's speech scenes are excellent, including an early one on the importance of the right to vote. The attack on the first march will hold the attention of any class and encourage a strong sense of injustice, though the violence is rather strong. There's a useful scene as well at the second march where King leads the crowd in a silent prayer.


Good to meet some Faitharts subscribers at the workshop in Blackrock Education Centre last night, on Religious Themes in TV Drama. The blizzard at the start time didn't help numbers and Blackrock Education Centre has suggested I offer it again in better weather ... so maybe mid to end of March, before Easter holidays. I used lots of clips from TV dramas and will discuss some of them here and on the Facebook page over the next few days. For starters the clip above I have found useful in teaching Eucharist. It's from BBC's Manchester Passion and is an unusual and contemporary take on the Last Supper, with the song 'Love Will Tear Us Apart' integrated rather well. It makes a good contrast with film clips on the Last Supper from films like Jesus of Nazareth.

Today I came across a useful website for Junior Cert RE. This is edited by a working RE teacher and has lots of resources, including arts resources. Check it out at

Got to see the film St Vincent on Monday night ... always a fan of Bill Murray's deadpan style and so was looking forward to this. Overall I enjoyed it, but it is no classic. The story concerns Vincent, a bit of a rake (Murray of course), a grouchy old guy with many bad habits who softens up when he takes on the job of baysitting a young boy. The film goes between the extremes of crude and sentimental, and perhaps if it had stepped back from both extremes it would have been much more appealing and could reach a wider audience. Too much effort goes into showing exactly how much of a rake he is - excessive drinking, foul language, sloppy and regular trysts with a pregnant prostitute.
I loved Chris O'Dowd's turn as a Catholic religious brother, one of the boy's teachers. He's comic and quirky and the classroom scenes are most entertaining. It's refreshing to see a positive portrayal of Catholic religious and Catholic education.
You could also argue that the film is pro-life as we get an extended sequence of the prostitute having an ultrasound scan, and there's no doubt but that it's a baby! There's also a touching relationship between Murray and his wife who is in a care home. The title comes from a school project - the O'Dowd character, Brother Geraghty, gives the students an assignment to find a modern day saint, and we get some interesting classroom discussions about sainthood.
THe film has a good heart, but there are moral ambiguities to say the least.


I've discovered some more wonderful resources for Advent/Christmas ... it's a very rich field! Gerard Kelly has two strong poems exploring the waiting theme and fortunately they are available online. His poems tend to take a quirky look at things and these are no exception - especially true of 'Christmas is Waiting'. The other one is 'Behold I Stand', with its insistent refrain "Behold I Stand at the Door and Knock". It reminds me of the painting 'Light of the World' by William Holman Hunt - check it out here.
There is so much good Christmas music out there - there's a fine version of 'Angels We Have Heard On High' by the group Home Free here. and one of this year's new releases is the album A New Irish Christmas by the New Irish Choir and Orchestra. It's a mix of Christmas standards and new material, well played and well performed, with some striking solos, including Eilidh Patterson from singing her father's song 'Jesus Is His Name'.

Finally if you'd like to combine poetry and journaling for Advent, or just want to explore some more Advent poetry, there's a fine resource here.

It was probably coincidental, but last Thursday night's documentary The High Hopes Choir (RTE 1) was particularly well timed. David Brophy, formerly of the RTE Concert Orchestra, set about establishing two choirs for homeless people and the results were inspiring. The programme was well named as the choir work gave new hope to the homeless and much more - greater confidence, discovery of hidden talent and a new sense of community. As one woman put it she didn't know she had a voice until she joined, and it felt like she meant more than singing. The individual stories of hard times and degrees of recovery were varied, touching and often surprising. Sadly, one of those interviewed at the start was Jonathan Corrie, the homeless man who died recently near Dail Eireann. I wasn't expecting that. The homeless charities figured, and rehearsals took place in churches, but these were in a supporting role. Even their work seem transformed at times - for example as the men in Waterford hostel went around singing during the day.

Last Sunday night I had the pleasure of attending the Fuaimlaoi concert in Harold's Cross Church. It was a wonderfully musuical and spiritual experience. It wasn't really a seasonal concert, no harm in that, but there was at least one song suitable for November-Remembrance theme - 'Song for the Last Farewell'. Some of the songs were also suitable for Advent, especially the moving 'Seacht nDólás na Maighdine', with its gorgeous harmonies and outstanding solo (thanks Karen O'Donovan!). Most songs were written or arranged by the choir's director Ronan McDonagh and the style is certainly and distinctively Irish, with a blend of Celtic/liturgical influences. This was enhanced by the use of whistle and uileann pipes, but there were also classical elements, with the choir accompanied by violin, viola, cello and organ. You can check out Fuaimlaoi at their website, where you can also find details about their CD Ancient Promise.


I'm constantly being surprised by the amount of good resources out there for teasing out Advent themes. In particular this week I've been looking at resources for the Annunciation. I know it's not fully seasonal, but it's certainly relevant! I was impressed by the poem 'Annunciation' by Denise Levertov which focuses on Mary's choice. It can be found here along with Fra Angelico's painting on the same theme. There are some beautiful religious art works, including some modern takes on the Annunciation and the Nativity on the web page of artist Agata Padol Ciechanowska. You can check it out here. Film-wise I still love the Annunciation scene from Jesus of Nazareth but there's a modern take on it in BBC's Liverpool Nativity, a live presentation from the streets of Liverpool, featuring music written in the area. You can check it out two minutes into this clip.


With Advent coming up this Sunday I've been sourcing Advent resources useful for school use. I've gathered many of these on my Advent and Christmas Resources page, which I hope to be updating during Advent. On the Facebook page some resources I've flagged this week include the poem 'Advent' by Patrick Kavanagh, the song 'Prepare Ye the Way' by John Michael and Terry Talbot (clip on left), and 'Advent Suite' by John Michael Talbot, all of which should be useful in school prayer services and as illustrations in classes on Advent - perhaps to start a class or bring to a satisfying conclusion!

I'm really looking forward to the the three 'Advent with the Arts' reflection nights for the Thursdays of Advent. I will be leading these reflection nights in O'Connell House, 58 Merrion Square, Dublin 2, 7.30 pm to 8.30 pm with refreshments to follow. All are welcome to attend .. it's free, just contact me in advance using the contact link on the left. There will be music, poetry, film, visual art and tea.

RTÉ has been turning its attention this November to matters related to dying, and it can hardly be denied that dying matters! My favourite treatment of the matter was the documentary One Million Dubliners shown last Thursday night on RTÉ 1.
Director Aoife Kelleher showed a confident hand in this tribute to Dublin’s Glasnevin Cemetery and the people associated with it. I loved the reflective and respectful tone of the film – Kelleher’s contributors mused on the nature of life, death and beyond, sharing a wide variety of views, from those like the cremation technician who believed death was the end, through those who weren’t sure but had hopes to those who were more convinced, like Derek O’Brien who believed he’d meet his musical hero Luke Kelly in the afterlife. Kelleher showed an admirable warmth towards her interviewees and a respect for the dead.
I was surprised by how many famous people were buried there – Daniel O’Connell, Parnell, de Valera and Michael Collins among others. Collins was a particularly interesting case – apparently he continues to receive adulation, including roses on Valentine’s Day. But it wasn’t only about the famous dead – we saw Danielle Doyle visiting the grave of her mother Nicola, and Bridget Sheerin at the very moving Holy Angels plot visiting the grave of her stillborn baby Maria.
In so many ways, the central character of the film was tour guide and historian, Shane MacThomáis. I was particularly taken with his account of his father’s death and funeral in Glasnevin and how it felt strange for him to go back to guiding tours through the cemetery after that. He was well used to death, but the Holy Angels plot really got to him. He informed and joked with his audiences and I thought the best footage was of him giving a guided tour to primary school children – their expressions were priceless as he told a scary story about grave robbers.
I knew that MacThomáis had died after the filming, which must have had quite an impact on the film crew, but I wasn’t prepared for the emotional punch of the film’s ending – it began and ended with a funeral, but whose funeral was revealed for sure only when we were shown the name plate on the coffin.
I wonder if documentaries can be classified as works of art, but if so then this one made the grade - I loved the subtle music in the background and the way the camera captured the moods of the cemetery. I thought the aerial shots were particularly striking, as were the autumnal colours in many scenes.


One of the most intriguing resources I've come across for a while is a clip from the TV programme Rev featuring Liam Neeson as God. Rev Adam Smallbone (Tom Hollander) has been having a rough time and it's also Good Friday, so he has his own 'Way of the Cross', with parallels to the original one, culminating in this meeting with the Neeson character who seems to be God! It's quite funny and even touching and may be useful in classes on 'Images of God'. I had reservations about the broader story though - is it cheeky and maybe reven cheesy to draw such parallels with the Good Friday events? Rev's problems are largely of his own making and there's an element of self pity and vanity going on. Overall I've had a love/hate (!) relationship with the series and apart from carefully selected clips I wouldn't regard it as suitable for school use. Adam is certainly sincere, prays quite a bit and struggles to keep his parish going. He is often vain, weak, worldly and ineffective. He has to put up with a variety of odd characters, and there's quite a bit of foul language and other 'adult' elements there, perhaps, to give the show an 'edge' but it's unecessary and offputting. You can watch the clip here.

Two other film clips are worthy of note: I've often used the Baptism scene from the film Nacho Libre to illustrate how NOT to Baptism, to emphasise the voluntary nature of Baptism for adults, and to add some humour to the subject, perhaps to grab the students' attention at the start of a module on Baptism! In the film Jack Black plays a monk who wrestles to raise funds for an orphanage and who is concerned for the spiritual welfare of his wrestling partner .. hence the impromptu dunking! You can watch this clip here.

Finally there's the trial scene from the film Sophie Scholl: The Final Days. In my experience this holds the attention of students really well, as courtroom scenes often do, and the clip is excellent for illustrate themes like conscience, courage, morality and state law. If you think the judge is way over the top here, a stereotyped Nazi, just look at some YouTube clips of the actual judge, Roland Freisler, in action. You can watch the trial scene here.

I've added an intriguing song to the Facebook page and will add it here too. This is 'Prayers of an Atheist' by Beth Nielsen Chapman. The background to this is interesting - when her first husband was very ill she asked friends for prayers. An atheist friend offered to do his best, which prompted the reflection in this song ... "The prayers of an atheist ... even they find the way back home".

Also added: one of my favourite film scenes - the marriage sequence from the animated film Up - a wordless review of Carl and Ellie's married life with all its ups and downs. What a great way to start a class or module on marriage! The quality on this version isn't great but the beauty still shines through. Also it has the original music which is important. Some versions on YouTube have added a different soundtrack and it's just not the same. Catch it here:


During the week I've added some more resources to the November/Remembrance page. With permission I've included a poem 'Last Supper' by Fr Joe McDonald, a touching poem about his mother who died in 2013. I've also included links to Patrick Kavanagh's poems In Memory of My Mother and Memory of My Father. These could be used as readings during prayer services or at the beginning or end of classes, with due regard to any recent bereavements in the students' families.
I find the latter poem more accessible and students may well be studying it in English class. Of course Heaney's Mid-Term Break is another poem on bereavement that students will be familiar with.

It was great to meet another bunch of enthusiastic RE teachers at the PDST RE/IT inservice in Blackrock last Wednesday night. Mainly we concentrated on Blendspace, an intuitive online tool for gathering resources and lesson planning. Blendspace is useful for all subjects and has many applications for RE and related arts resources. If you missed it you can catch up on another Blendspace course I'm delivering, for teachers of all subjects, at Blackrock Education Centre on Wed 19 Nov 5 pm to 7 pm. Booking here.

With November coming up I'm looking at arts resources suitable for the themes of remembrance and bereavement. Dealing with such themes in school can be challenging, especially in the case of recent bereavements, but can also be rewarding. Most of us have deceased friends or family members and many will welcome the chance to remember them in some sort of formal way. It might be an annual school remembrance service, a box with the names of the deceased set up in the school prayer room or oratory (like a school version of the Altar List of the Dead), or a prayer wall or board with the relevant names o brightly coloured post-its. Two songs suitable for prayer services spring to mind for starters - 'Now is the Time for Tears' by Charlie Peacock from the Various Artists album Coram Deo, and 'Life Goes On' by Judy Bailey from her album Travelling (see video above). Some of you might remember her standout performance of this beautiful song at the last World Youth Day. Any version of 'The Lord's My Shepherd' or 'Be Not Afraid' would be appropriate also. Beth Nielsen Chapman's album Sand and Water features many appropriate songs, written after the writer's own bereavement when her first husband died. 'Felix Randal' the poem by Gerard Manley Hopkins, is particularly appropriate, featuring both bereavement and remembrance. I'll add some more resources here during November and add them to the dedicated 'November Page'.

It was great to meet a bunch of enthusiastic RE teachers at the Tuam Archdiocese inservice yesterday in Knock. It was my first time in Knock in quite a while, and I discovered to my surprise that I was distantly related to one of the Knock visionaries! And the Knock House Hotel was an excellent place to stay and to do a workshop.
I delivered a workshop on using Film in RE and for the first time in quite a while a workshop on using the Beatitudes in school. As part of this I worked up a list of songs that could be used for the Beatitudes, to enhance classes on the Beatitudes or for prayer services. I'm including the list below but no doubt there are many songs that could accompany each Beatitude, this is just a personal selection. Individual tracks like these are readily accessible though iTunes, YouTube, Spotify or 7Digital.

Suggested Music for the Beatitudes

General - Behold Now the Kingdom - John Michael and Terry Talbot (album The Painter)
The Beatitudes - Monks of Glenstal (album Biscantorat)
Blessed Are the Ones - Audrey Assad (album Heart)
Poor in Spirit - I Need You - Matt Maher (album All the People Said Amen)
Meek/Gentle: Servant Song - Bobby Fisher (album One Breath)
Mourn: Now Is the Time for Tears - Charlie Peacock (album Coram Deo)
Hunger and Thirst: We Shall Overcome - Bruce Springsteen (album The Seeger Sessions) Pure Heart: Create in Me a Clean Heart - John Michael and Terry Talbot (album The Painter) Merciful: Mercy - Zach Adamson (album 51 Must Have Modern Worship Hits 2)
Peacemakers: Make me a Channel of Your Peace - John Angotti (album Extraordinary Love) Persecuted: Shot Down - Michael Anderson (album One Way - The Songs of Larry Norman)


Some recent resources I've been flagging include scenes from the film 'Gandhi'. In particular I have found two scenes particularly useful - one where Gandhi is thrown off a train on racial grounds in his early days in South Africa, and one (clip above) where he stages a burning of racially based permits. The latter scene is quite tense and works well with students. Themes include racism, discrimination, courage, rights, standing up for your principles.

'Wherever you go you seem to leave a trail of corpses'. So said Inspector Valentine in last Saturday afternoon's episode of Father Brown (RTE 1). I have found this new, BBC produced, take on Chesterton's priest-detective rather underwhelming. Mark Williams does a fine job in the title role, but the pace is sluggish, the plots fairly predictable, the minor characters somewhat clichéd and no amount of tasty period flavour makes up for that. Most lacking however is much in the line of spiritual or theological insight. In this most recent episode, which was mildly entertaining we did get Father Brown trying to get a sinner to repent and being astutely pastoral in his approach to a girl with dyslexia, and there were two fairly useful scenes for my Confession collection, and possibly of use in RE classes dealing with the Sacrament of Reconciliation, but on the whole it was disappointing.
The character of the priest-detective in TV drama is nothing new, and many have fond memories of earlier versions of Father Brown and even Father Dowling, so I was looking forward to ITV's new drama, Grantchester (ITV, Monday nights) which features a young vicar (well played by James Norton) who does a bit of part time sleuthing. The literary origins this time are the 'Grantchester Mysteries' by James Runcie.
So far it has been relaxed and easy viewing with no major brain crunching required. The 50's Cambridge setting gives it an air of nostalgia, though I'm not convinced that the period setting has been used that imaginatively, though it is well created, typical of this kind of show. The vicar is an appealing character, curious, concerned and courageous, though, like Miss Marple et al., I'd stay a mile away from him as he looks set to become another murder magnet. One of the most interesting plot lines is his relationship (platonic perhaps, for now) with a young woman who becomes engaged to another man, but the show shies away from attempting much in the line of theological insight, so the fact that he's a vicar is underused. The plot of the first episode was predictable enough and I spotted who the guilty party way before the Big Revelation. There were superfluous flashbacks to the murder scene (typical of the genre) as if the viewers had faulty imaginations, and within the flashbacks of Episode 1 some pointless sex scenes, designed I'd suspect to attract a post-watershed slot or to slap on some designer 'edginess'. The second episode last Monday night was an improvemment.
Another popular ITV detective drama, Lewis, returned last Friday night. In the past it has featured a scattering of theology, especially related to the Detective Hathaway character. In this opening episode it was hinted early on that he had done the Camino (he spoke pointedly of a significant walk in Spain!). Later he confirmed this but insisted it wasn't a pilgrimage. The plot was complex, the scriptwriting confident and the depth of characterization above average. Detective Lewis had retired in the last series and his retirement issues got a perceptive treatment, as did his convenient return to police work as a temporary consultant. This of course created a certain tension with his old mate Hathaway, now his superior. I was reminded of King Lear's attempts at retirement though the consequences weren't so drastic this time! Lewis is a spinoff from the old Inspector Morse series, and so the university town of Oxford is the setting for all those murderous goings on.

I have found that when you ask students to draw symbols of reconciliation, forgiveness and other topics hands figure large! With that in mind I've been flagging this week two videos featuring songs about hands. These should be suitable for classes on service and vocations in particular. These are 'Hands' by Texas singer-songwriter Jewel, and 'These Hands' by Dave Gunning. There are several versions on Youtube, but I particular like Jewel's performance of the song at a Vatican Christmas concert and Gunning's concept video where he visits a young person's facility. Both videos are available on the videos page.


Another 'Resource of the Day' to highlight - this time I've chosen this supper scene from the wonderful film 'Of Gods and Men'. It comes near enough to the end of the film when the monks who are under threat from insurgents in North Africa. They have decided, despite the danger, to stay on and serve the local community, largely Muslim. The film has many wonderful moments suitable for classes dealing with inter-faith relations, sense of community, the religious life, ritual and more, but this scene is particularly powerful, especially if you have watched the film up to this point so that you know the characters involved. Not a word is spoken, but the scene is beautiful and emotional. The parallels with the Last Supper are clear, and this clip is a wonderful resource for classes on table fellowship. My study guide to the full film is here.

Yesterday's 'Resource of the Day' is a link to Decent Films , a film reviewing website that takes a faith perspective into account. The writer, Steven D. Greydanus, has written for many American catholic publications. His reviews are detailed and perceptive and should help any RE teacher looking for suitable films for the classroom. Maybe I'm calling him perceptive because I agree with most of what he writes! For example there's his recent review of Calvary (here), the best I've read so far, and also of Noah (here). Going back to 2003 I liked his review of Bruce Almighty (here) , often used in RE when studying images of God.

Yesterday I highlighted the last interrogation scene from Sophie Scholl: The Final Days, definitely my favourite film for RE. The film tells the true story of Sophie Scholl, a young woman and marvellous role model who campaigned against the Nazis in Munich in the early 1940's. The film packs a powerful punch, and this scene is one of the most useful for RE - touching on themes of racism, conscience, discrimination and more. If you start with this scene you may be persuaded to continue ... shortly after there is a very intense trial scene (the ranting Nazi judge was just like that in real life). As for the ending ....

Among this week's 'Resource of the Day' selections on the Facebook Page were two songs that are excellent for use in school/classroom prayer services - 'Be Still and Know' sung by Kim Hill from her album Kim Hill and 'Be Still My Soul' by Beth Nielsen Chapman from her album Prism. I've also found them useful for Junior Cycle classes when we've been exploring the need for quiet time and contemplation. I've added both of these to the Videos Page.

Another Resource of the Day was 'Shed a Little Light' by James Taylor (it's on that videos page as well) - especially apt as I went to his wonderful concert in the 3 Arena last Tuesday night (see pic on left). I first heard this song on the excellent 'Squibnocket' DVD and have used it in class many times, especially study music and faith in Transition Year. It wasn't on the setlist on the night, but there were some Christian spiritual references, for example in the songs 'Fire and Rain', 'Country Road' and 'Lo and Behold'. It was the first time that I saw him live and I wasn't disappointed. Apart from the great music he had a warm rapport with the audience and sat on the edge of the stage signing autographs through halftime break.




I realised recently that this September marks the 10th anniversary of Faitharts! Doesn't feel like it though. I had hoped to blog about the 'Resource of the Day' that I've been posting on the Facebook page but haven't been doing too well on that. Today's resource is the song 'Now Is the Time for Tears' by Charlie Peacock from the album Coram Deo. I have used the song many times in the school prayer room and it is particularly suitable for the month of November or on occasions where there is sadness in the school. Based on Job: 2:11-13 and Romans 12:15 it offers advice when we don't quite know how to console those who mourn - 'Cry with me don't try to fix me friend/That's how you'll comfort me'. It would be particularly suitable as well as a musical illustration of the Beatitude 'Blessed are those who mourn ...'.



Now that I've got the email newsletter back up and running for the school year, and have restarted the 'Resource of the Day' feature on the Facebook page I can turn my attention to the blog. Perhaps it would be a good idea to flag the 'Resource of the Day' here as well, for those who are not on Facebook. Today's resource was the song 'What About the Love' by Janis Ian and Kyle Fleming. In class I've used the version by Amy Grant (video clip above). I find the words rather striking - themes of love, compassion, power delusion and being judgmental. I particularly like the last verse punchline. The lyrics are here.

Courses: I've a few courses lined up for this term: Using Film in Religious Education is on in Blackrock Education Centre on Thursday 25th Sept 7pm to 9pm and at the time of writing there are just 6 places left, booking here. I'm giving the same course in Eniiscorthy, at the Co. Wexford Education Centre, on Thurs 16th October also 7-9 pm and booking for that course is here. I'll be doing a similar course at the Tuam Archdiocese Inservice in the Knock House Hotel on Wed 22nd October.


Still catching up. This week I've been attending events for the Ecumenical Bible Week. In particular there are presentations on the Bible and Film and the Bible and Music. On Monday I got to the film presentation in the Presbyterian Church in Arklow and it an excellent night. David Shepherd, Assistant Professor of Hebrew/Old Testament in the Loyola Institute and Trinity College, explored many aspects of the Bible and film, focussing especially on the recent film Noah and what director Darren Aronofsky intended. He reflected on the biblical and non-biblical aspects and had plenty of clips to illustrate the point. He also looked at Mel Gibson's The Passion of the Christ especially the portrayal of the non-scriptural Veronica, and where her story might have originated. He related this to a much earlier portrayal of her in a film by French director Alice Guy Blaché, who started making films in 1896 and died in 1968!

Last night there was another good session, this time in the local Methodist Church, with Ian Callanan speaking about The Bible and Music. Mr Callanan treated to the audience to lots of background information on how music features in the Bible and what instruments were used in Biblical times. He had the audience singing as well as he took us on a musical journey from Creation to the Revelation. Finally there was a helpful handout for people to reflect on what they had learned.

Lots of catching up to do here. I've been fortunate to attend several wonderful events in the last while. One of the best was the Michael Card concert in Liberty Hall last Friday night. I've been a fan of Card for years and it was great finally get to see him live, and I wasn't disappointed. The night was like a kind of musical sermon - apart from the great songs his chat between songs featured much thought-provoking reflection of scripture, and while it was challenging it was also easy on the ear, gentle, witty and wise! The familar songs were there - Joy in the Journey, Immanuel and a fine rendition of Why, songs I've used many times in school prayer services. It was great to get added insights into the songs from his introductions. El Shaddai was notable by its absence, but he did try some new material, all of it good.

A bonus on the night was the support act, husband and wife team John and Michelle Thompson from Nashvile. They sang some folk-gospel duets - hope they back for a full tour.



Had a great concert in Arklow last Thursday night with Beth Nielsen Chapman. I think I can safely say it's the first gig I ever ran when somebody sang in Latin! She did a lovely version of Mozart's 'Ave Verum Corpus', and also another spiritual song 'Pray' that she sang recently on BBC's Songs of Praise. And she sang her moving song about bereavement, 'Sand and Water'. What a treat, and what a lovely person! I was also inspired by her encouraging words about creativity and her songwriting advice given at a workshop with the music students in Arklow CBS. Chapman was accompanied by Ruth Trimble from Belfast who also impressed with her own thoughtful and well-crafted songs.






Listening to songs on her recent album 'Uncovered' I was struck by how useful many of them would be when studying marriage, especially with senior classes. 'Simple Things' suggests we concentrate on what's important in a relationship, 'Here We Are' reflects on a relationship that grows strong through challenging times, 'Sweet Love Shine' could be taken to address a loved one or God perhaps, 'Pray' reflects on the role of prayer when relationships run into difficulty, 'Maybe That's All It Takes' deals with forgiveness as a way to overcome relationship difficulties, 'Strong Enough to Bend' suggests compromise and flexibility as way to overcome. Songs can be previewed or purchased individually here.


I have mixed views about the film Calvary and I suspect it will polarise audiences. It has quite a bit going for it, but many downsides as well, a bit like the flawed humanity it portrays.
Brendan Gleeson gives a powerhouse performance as a priest in the West of Ireland who is told in the opening confession scene that he will be murdered in a week. The rest of the film develops as a sort of countdown to that fateful Sunday on a local beach. Gleeson's Father Lavelle is portrayed as a good man, surrounded mostly by crude and/or vain locals. He goes about his priestly work with empathy and care for his parishioners and we also see him saying Mass and hearing confessions. There's little of the support structures that priests usually have in a parish, and most of the surrounding characters are quite off-putting from the dodgy guard to the drunken businessman living in the big house and the foul-mouthed male prostitute.
It's an interesting twist that the priest was previously married and has a troubled daughter. She felt that by joining the priesthood after his wife died he had left her with two parents lost to her. She is one of the few sympathetic characters as is the American writer that the priest supplies with provisions. There is some good-natured fun between the priest and a canny altar boy. There are lots of anti-Catholic jibes, especially about paedophile priests, which is a prominent theme, but one could argue that these come from the obnoxious characters and therefore may not form part of the viewpoint of the film.
It's not only these elements that that makes the film fit only for mature audiences. The language is frequently though not relentlessly crude and some of the violence is graphic. Suicide is also a strong theme. In its favour Gleeson's performance is a standout, eliciting our sympathy for this good but troubled man.
Themes of forgiveness and redemption are woven into the plot and if anything the film has a very favourable view of the work of a priest, and there are harsh words for his fellow priest who is not very dedicated to the work, though he is a bit of a cliché - I've seen so many dramas where a passionate priest was paired with a wimp of one sort or another. I felt that some of the worthy themes were handled in bite-sized snippets and that the treatment often lacked depth.
Due to the adult content I don't see a lot of use for this film in RE for young people. The confession scene at the start is too crude, but there's a beautiful sequence where the priest anoints a foreigner who has been fatally injured in a car crash, and consoles his wife immediately afterwards. The local doctor's cynicism seems all the more ugly in this light. The forgiveness theme is highlighted in two matching phone call scenes near the end, both involving the daughter, but without context these scenes, especially the latter, won't make much sense.
There are clichéd and melodramatic scenes (e.g. the pub shoot up) contrasted with some beautifully filmed scenery, making for an interesting but unsatisfying whole. It's heart is in the right place but a dose of subtlety wouldn't have gone astray.

Some other thoughts on Noah ... I deliberately avoided reading any reviews until I had seen the film for myself. It has been fun reading the reviews since then and the film has certainly divided people. For a wide spread try these. The first article is quite negative, the second challenges it and the others range from positive to mixed.
(the last two by prominent film critic Steven Greydanus) (review by Fr Robert Barron)

Meanwhile last Friday's God Slot (RTE Radio 1) had Barry McMillan's perceptive review of the film. He seemed to like it, especially its message of mercy and respect, but called it 'relentlessly odd', 'quite mad' and a 'spectacular grand folly'. He thought the film adhered to the spirit of the original text in Genesis, even if some odd unusual elements were added.

Noah Review. Got to see the film Noah tonight, and so these are first impressions. I may add more later, after 'mature reflection'.
Well first of all the good stuff. Noah is an impressive film on many levels. Sometimes the visuals are poetic and the special effects dramatic. The acting in the main roles is excellent. Russell Crowe seems able to bring a striking humanity to epic roles (eg Master and Commander, Gladiator), Anthony Hopkins dominates his scenes as Noah's Grandfather, Jennifer Connelly is convincing as Noah's wife though she doesn't seem to age as much he does! Emma Watson is fine as an adopted daughter though the characters of Noah's sons are underdeveloped.
There are two sequences that RE teachers may find particularly useful - a poetic creation sequence as Noah tells the story to his children, and the beautiful rainbow event near the end. This ultimately gives the film a sense of hope and optimism that was absent from much of the film.
The bleakness is because Noah is convinced that God, referred to throughout as 'The Creator', is punishing all of humanity and is just going to save the 'innocent' animals, using Noah as his vehicle. At times it seems that director Darren Aronofsky is pushing a trendy environmentalist line, a bit like the way the Noah story is treated in Evan Almighty. But it's not that simple, as faith and hope in a loving humanity is restored, a humanity that hopefully will have respect for creation.
The film takes major liberties with the Genesis story, the most bizarre aspect being the 'Watchers', a bunch of giant rock creatures that are reminiscent of the walking tree creatures (The Ents) in the Lord of the Rings films. It turns out that these are angels that The Creator is punishing for siding with human beings and trying to help them. They protect Noah from other humans who want to be taken on to the Ark and a great big battle scene ensues, a field day for the CGI artists! The Ark itself is more like a fortress, all square shaped and ugly, looking like something that couldn't possibly float. The deluge is spectacular when it comes, not just rain but geysers rising from the earth and the scenes of people drowning are quite distressing. That, the strong violence and a brief suggestive scene rule out the very young.
The film drags a bit after that, complete with sub-plot about an evil stowaway! The film teases out issues of good and evil, love, discerning the will of God, temptation, choice and free will, and in that way is a cut above many current films.

As usual last night's Emmanuel concert in the Helix Theatre was superb. It was inspiring to hear the massed choirs from the schools of Dublin Diocese joining together for some excellent liturgical music. Congratulations to the music teachers and to Ian Callanan and his team for pulling it all together. Schools will once again have a fine body of music to use throughout the school year. We were treated to 21 songs, all with fine vocals and a tight backing band. All songs were signed gracefully by the girls of St Mary's School for the Deaf, a moving experiece. The lively 'Enter God's Kingdom' (Chris De Silva) was an excellent choice for the start; the uplifting 'Here I Am to Worship' would be useful even for discussing the whole idea of worship; Dana's 'We Are One Body' was probably the most familiar song along with 'Joyful, Joyful' which featured a fine solo singer' Sr Marie Dunne's Lúireach Phádraig was a beautiful song, beautifully arranged, while the rap song 'Another Day (Jesse Manibusan) was another of the highlights ... still going round in my head! Many of the songs had a water theme, to link in with Trócaire's Lenten campaign. These included 'You Have Been Baptised' which will be very useful to teachers exploring Baptism in class.

Yikes, too long since I've written here. Note to self for Lent - update more often! Biggest update for now - I'm organising a concert with Nashville Singer-Songwriter Beth Nielsen Chapman in the Arklow Bay Hotel on Thurs 1st May at 8.30 pm. She has at least two Emmy nominations, her songs have been recorded by the likes of Bonnie Raitt, Emmylou Harris, Bette Midler, Elton John, Neil Diamond, Trisha Yearwood, Martina McBride, The Indigo Girls, Michael McDonald, Amy Grant, Keb Mo’, Roberta Flack, Waylon Jennings, Faith Hill, Willie Nelson, and many more. Of interest to Faitharts readers is the fact that she has released some spiritual albums, the most striking being Hymns, beautiful versions of the Latin hymns of her childhood. See Faitharts reviews of some of her albums here. He most recent album Uncovered (pic on left) has her own versions of songs recorded by others and features a most beautiful song 'Pray', with Amy Grant and Muriel Anderson on backing vocals. Tickets are 25 Euro, but you can buy a pair for 40 Euro up to April 30th. I'm organising ticket outlets at the moment, but for now you can order by emailing me at

I thought Chapman provided the best performance on last Sunday night's Songs of Praise when she sang 'I Find Your Love' The choral work and congregational singing was fine as well, and there was a particularly seasonal song 'Forty Days and Forty Nights' that I hadn't heard before. There aren't too many songs specifically about Lent. Check out my 'Resources for Lent' page to hear that song.

On the Feast of the Presentation I took another look at T.S. Eliot's poem Song for Simeon, where explores the account of the Presentation in Luke 2:22-39. The hyacinths reference struck a chord as we have them in a pot in the house. When I studied the poem as a student I don't think I knew what a hyacinth was! Now I'm older but not quite 'waiting for the death wind'! What I've always liked about Eliot's religious poetry is the way he can introduce elements of bleakness ('I am tired with my own life and the lives of those after me,'), as he did in Journey of the Magi. This is no happy clappy religion, though that has its place too - Pope Francis has been reminding us recently of the Joy of the Gospel. The imagery of persecution ('the time of cords and scourges and lamentation') reminds me of the current persecution of Christians in the Middle-East, while his references to martyrdom ('Not for me the martyrdom, the ecstasy of thought and prayer,') remind me of how he teased out this issue in his play Murder in the Cathedral, where St Thomas a Beckett wanted to do the right thing in his struggle with King Henry II, but was afraid of courting martyrdom for selfish reasons. Lots of fascinating issues to tease out in the classroom and beyond.

Sad to hear of this week of the death of Pete Seeger, legend of American Folk music. His protest songs, like 'We Shall Overcome', often had their origins in gospel music, and so much more of his work was dedicated to the cause of justice. He had at least one album of Christmas carols - 'Traditional Christmas Carols' (pictured left). He was a huge influence on singers like Don McLean, Bob Dylan, Peter, Paul and Mary, Arlo Guthrie and so many more. Check out his performance (Video clip below) of a recent song - 'God's Counting on Me, God's Counting on You'




I've always liked reading and teaching the poetry of Gerard Manley Hopkins, though I'll admit to being challenged by the quirky use of rhythm and language that has made his work so distinctive. Like Emily Dickinson he's definitely one of a kind!
Recently RTE 1's Drama on One series featured an unusual drama based on Hopkin's poetry. No Worst There is None was described as 'a sonic journey into the mind of Gerard Manley Hopkins as he approaches death', presented by the Stomach Box theatre group. It was an effective combination of readings from Hopkins' poems and letters, finishing suitably with the poem that gave the programme its title.
The drama concentrated on the latter end of Hopkins' life and he was far from content. He spoke of the 'wicked thoughts' that assailed him, the 'old habits' he couldn't shake, some 'dangerous subject' he dwelt too much on, the laziness that led to 'wasted time'. If he tried to make excuses for himself he felt guilty about the rationalising. Though he was at times 'pitched past pitch of grief' he had some happy moments, times when he felt he was the 'most placidist soul in the world'. The drama ended with him declaring 'I'm happy' at the end of his life, though after all the angst that preceded it, this felt a bit arbitrary, and I though the drama could have created more of a basis for this to make it seem less random.
It was indeed a 'sonic journey', with poetry reading interspersed with sound effects, echoes and songs from the singers of Dublin Choral Foundation and St. Patrick's Cathedral Choir. The solo singing was effective, but the children singing gave it somehow an eerie and unsettling feeling, which may well have been the intention. Anyone not familiar with Hopkins may well have found the whole experiences somewhere between intriguing and freaky!
It was helpful that this production was followed immediately by a short programme, Hopkins and the Sonnet, in which Abbot Mark Patrick Hederman of Glenstal Abbey reflected on Hopkins' pain filled 'terrible sonnets', which he described as 'therapeutic' and not originally intended for publication. He provided some interesting historical background - how Hopkins was alienated in England because he had become Catholic and in Ireland because he was English! He ended up mainly correcting the copies of students in Newman's new university in Dublin. No wonder he had dark thoughts!
Abbot Hederman gave a more rounded view of the Hopkins from his giving up on poetry on becoming a Jesuit, through his return to the art with 'Wreck of the Deutchland' a tribute to a group of nuns who had died in a shipping accident, to his dark moments later in life. Though describing the poet as a 'psychosexual mess' at one stage, he stressed that one needed to consider Hopkins, not primarily from a psychological angle, but by considering his life and work in terms of his 'great relationship with God', the relationship that led him to a final happiness at the end.
You can listen back to these programmes here.

Catholic Schools Week starts on Sunday January 26th. The resources for second level schools are here. I'm glad to see that the arts are not ignored in the resource pack. For example take this quote: 'Total development involves Catholic schools helping their students to be … Aesthetic – to encounter beauty, to see God in all things, art, design. Creative – to think freely and to dream, create music, study drama. Cultural – to be critically aware within modern culture.'
Later the following songs are recommended for worship: (I've added weblinks for your convenience)
(1) ‘St Theresa’s Prayer’ by John Michael Talbot
(2) ‘Receive the Power’ by Guy Sebastian & Gary Pinto
(3) ‘Shout to the Lord’ by Darlene Zschech
(4) ‘Ubi Caritas’, Taizé cover
(5) ‘May the Goodness of the Lord be Upon Us’ by Ronan McDonagh

Looking through the Journal Work titles for Junior Cert 2015, I can see some openings for an arts based approach. Best bet is probably D2 - 'Research into the factors that have contributed to the development of two different images of God'.

I've finally caught up on the rest of The Bible series. Fair play to TV3 (Irl) and Channel 5 (UK) for giving such a huge chunk of prime time TV to a religious series. As the series moved on through the life of Jesus it grew on me. I got to like Diogo Morgado in the role of Jesus, and the women characters were well done, especially the roles of Mary Mother of Jesus (played by co-producer Roma Downey), Mary Magdalen (Amber Rose Revah) and Pilate's wife Claudia (Louise Delamere). For school use there are some useful set scenes - for example the sequence from the start of that fateful Passover week was well handled, with considerable attention given to the atmosphere and political background. The violence was still strong as in the Old Testament sequences, even at times gratuitous, though not on the extreme level of Mel Gibson's Passion of the Christ.
You could see however the influence of that other film - e.g. the devil figure moving through the crowd, and the atmospheric scene in the Garden of Gethsemane. The Pilate character, though a bit one-note, was one of the most menacing Pilate's I've seen on film, thanks to the acting presence of Greg Hicks. Of the apostles, Peter, John and Judas made an impression but could have been stronger.
The Resurrection always poses a challenge to film makers and this version takes an approach very like that seen in BBC's The Passion from a few years ago - Mary Magdalen heads out to the tomb on her own, finds it empty and meets Jesus, though all too briefly. The meeting on the road to Emmaus is conflated into the apostles breaking bread and meeting the risen Jesus in the upper room (this setting is reminiscent of Zefferelli's Jesus of Nazareth).
There's not much on Jesus' time on earth after the Resurrection, but the Ascension is done reasonably well. At least Jesus doesn't take off like a rocket as in one version I saw. Unlike many film versions there is some coverage of events from the Acts of the Apostles. The coming of the Holy Spirit at Pentecost is handled innovatively - lots of wind and speaking in tongues but no tongues of fire. The martyrdom by stoning of Stephen (Irish accent!) is fairly rough and I don't remember ever seeing that on film before. There was a touching scene of the apostles praying the Lord's Prayer. Paul is shown as a particularly nasty bit of work before his encounter on the road to Damascus, and unfortunately this side of him creates a much stronger impression that his post-conversion persona.
What I thought the series missed out on was the poetic side of the Bible - the Psalms and the parables in particular. Indeed while the series was technically adept I thought an innovative artistic hand was missing. All in all it was an impressive series in its broad scope, technically it was a fine achievement and there were some worthy performances and a few striking set pieces, but I wondered, especially in the Gospel sequences whether anything that new or exceptional had been done compared to other TV or big screen versions. However this series may bring the Bible stories to a new generation and make them curious enough to follow it up. Certainly the character of Jesus was portrayed in an appealing way, and now that the Gospel segments are being re-edited into a movie version called Son of God, due for release in February 2014, the reach of this project should increase considerably.

One of the many religious shows over Christmas was a new dramatization, The Bible, a mini-series from USA's History Channel that premiered on TV3 and Channel 5. From advance reading I knew it was well meant and stemmed from the faith of producers Roma Downey and Mark Burnet. I wanted to like it, but my initial reaction wasn't too enthusiastic. In particular I wasn't enamoured of the Old Testament sequences. Partly it's a problem inherent in trying to cover the whole Bible - the full text is just too unwieldy for filming. A mini-series helps in that it allows more time, but this version didn't escape some of the common pitfalls, like the one-dimensional characterisations. A lot of it was without context, and the intermittent use of a narrator didn't solve the problem. Dramatic coherence was damaged by time jumps - captions like '40 Years Later' are never a great idea. The spectacular aspects of the Old Testament stories were overemphasized - obvious example being the parting of the waters as Moses led his people to freedom. The violence was quite strong and some scenes were downright disturbing (e.g. Pharaoh's men throwing babies over a cliff). If you knew the stories you'd have some idea of how they fit in to the story of God's people, but to anyone without the background and sound catechesis it must have seemed all very strange and unappealing. For school use it's a way to familiarise students with Old Testament stories that were very familiar to an older generation. One scene that struck me as useful for classes on images of God was Moses encounter with God in the burning bush (clip above).

So far the New Testament section is much better. The actors playing Mary and Joseph do a good job, and their part of the story has more coherence, a tighter focus and a more personal approach. The strong violence is still there, and while some scenes, like the miraculous catch of fish and Jesus walking on the water (clip on left) are well done , others are stilted. Diogo Morgado does reasonably well as Jesus and becomes more appealing in the role as you get used to him. More anon as I catch up on the final episodes.

I got even more into the Christmas spirit last weekend by attending an Anúna concert in St Bartholomew's Church, Ballsbridge, last weekend. In fact it was the Christmas material that I liked most about the concert - there was a particularly fine version of 'Away in a Manger', a sprightly 'Ding Dong Merrily on High', and some traditional songs like the 'Coventry Carol' and the 'Wexford Carol'. Of the less seasonal material I loved the round 'Jerusalem', especially when the singers moved around the Church with candles (as they did for several songs) to create an interesting soundscape and a striking visual effect. Michael McGlynn added some quirky humour, and also worth noting is his comment as to how he regrets the Catholic Church making enough of its musical heritage. Probably true, in some parishes at least, but then you can also have churches with hugely impressive choral work, but so good that it deters the congregation from participating, and could direct more attention to the choir than to God!

I really got into the Christmas mood last Wednesday when I got to Liam Lawton's 'Celtic Christmas' concert in the Civic Theatre Tallaght. I was won over straight away when he opened the concert with one of my Christmas favourites 'It Came Upon a Midnight Clear'. The night was a mixture of Christmas standards and Lawton's original material, including some songs not directly related to Christmas, like his song 'The Coud's Veil'. Most of the Christmas songs were from his new album Bethlehem Sky, just released. The title track is particularly beautiful and was inspired, Lawton told us, by a visit to the Holy Land. One of the standout moments of the night was when Lawton took to the piano himself and sang a medley of familiar carols. A few years ago I was at a Lawton concert and thought there was too much use of electronics, and while there was a little of that, the backing band provided some fine live music - especially effective was Nigel Davey on button accordeon. Lawton's easy manner won the audience over and he had them singing along with gusto.

Never have I come across so many poets in the one place! It was 'Soundings for Simon' a brilliantly conceived event in the Yellow House Rathfarnham Dublin last week, combining a fundraiser for the Simon Community with nostalgia for the old Leaving Certificate poetry book Soundings. And, like Soundings itself there was quite a bit of religious or spiritual content.
The organiser Daragh Bradish read one of his poems - a clever one about running the same event last year in the city center and the irony of walking past homeless people on the way home carrying the proceeds on the night! Nessa O'Mahony had some touching poems about her family. In one such I liked her image about the rhythm of childhood prayers coming back to her on the death of her grandfather. Seamus Cashman read an extract from a poem he wrote inspired by the ceiling of the Sistine Chapel, and in a more contemporary vein read one of his about a visit to the Holy Land, where he came across a cemetery sacred to the locals that had been largely built over. Ironically a Museum of Reconciliation was to be built on the remaining part!
John F. Deane was also inspired by the Holy Land. He told of a visit to the Wailing Wall in Jerusalem, a visit that inspired poems in his new collection Blessed and Broken. The poem he read from echoed his introductory words about reclaiming the Old Testament, which was also part of the Christian tradition - 'I have come to take possession of the songs, the psalms, the lamentations'.
Paul Bregazzi read Hopkins' 'The Windhover', while Tom Conaty read Kavanagh's seasonal 'Advent', both old favourites from Soundings. I'm looking forward to next year's event.

Time to recap on a few gigs I've been at recently, where I've heard a few songs that might be of use to RE teachers. A few weeks ago I got to see US singer-songwriter Kimmie Rhodes in the Seamus Ennis Centre in The Naul, Co. Dublin, a fine venue if a bit out of the way! Rhodes sometimes includes spiritual material in her recordings, and one the best at this gig was her song God's Acre, a simple and optimistic song about death and the afterlife - 'I'm going home to God's Acre/Where my loved ones wait for me'. Another one to add to the list of suitable songs for remembrance in November.
More recently I went to see upcoming singer Joanna Burke from Dublin singing in the 'Third Space' cafe in Smithfield, an excellent venue with an emphasis on hospitality and good food, with good music on a Friday night. Her rendition of Patty Griffin's song 'Forgiveness' was a standout - 'Don't need to tell me a thing, baby/ We've already confessed/ And I raised my voice to the air/And we were blessed/Everybody needs a little forgiveness'. Apart from lines like this the imagery is challenging at times and it's not entirely clear what the overall message is.
Best gig of all was last Friday in Waterford's Garter Lane Theatre. Krista Detor from Illinois USA gave an excellent concert with songs that were literate and entertaining. One of the best was 'Clock of the World', just about the only song I know that marries the beauty of faith and the beauty of science without any conflict between them. In her introduction Detor referred wryly to having a mixed Catholic and Lutheran background, which, she said, left her 'confused'! But she was critical of arbitrary conflicts between science and faith, as she urged people to allow them to work away on their own distinctive paths.
Finally, I was impressed by a gig with Leslie Dowdall and the String Factory in the Conary Arts Centre near Avoca last Saturday night. Dowdall was an engaging performer and was hugely complemented by John Nolan and John Hunt on guitar, bouzouki and vocals. They did a fine version of the old gospel song 'Wayfarin' Stanger' along with many originals and covers.

Just came across a 'How Not To' guide for showing video in the RE classroom. Lots of interesting points, followed by suggestions about how to do it right. Have a look here.

Last weekend I got to the City of Derry International Choral Festival, and what a musical feast! There was a sacred music competition on the Sunday which was an impressive mix of modern and traditional, from Avro Part's setting for 'The Deer's Cry', sung by the Clermont Chorale of Dundalk and Cór Mhaigh Eo, to the gospel sounding 'My Soul's Been Anchored in the Lord' by Moses Hogan, performed by the winning choir Voci Nuove from Cork (pic on left). In the high profile international competition on the Saturday night it was also noteworthy how many of the choirs sang religious music as part of their programme. The Cois Claddaigh choir from Galway sang the beautiful 'Beannacht' by Eamon Murray, the charismatic Polifonica choir from Belarus sang an 'Easter Canon', the youthful Ad Solem chamber choir from England sang 'Behold, O God Our Defender', the New Dublin Voices included a version of Psalm 96, while the winning choir, Voci Nuove again, had the most striking 'Molaimis go léir an tAon-Mhac Críost' by Ben Hanlon from Waterford. That competition had a guest performance from the Gospel Singers Incognito, a choir that featured prominently on Britain's Got Talent. After the wonderful acoustic performances of the competing choirs it was a bit jarring when they got mic'd up, but they certainly got the crowd going - all the phone lights were on for 'This Little Light of Mine'. They were more spontaneous and delightfully informal later on at the Festival Club. The festival also featured a dedicated gospel music competition, school choirs and a 'Sacred Trail' of music in churches on the Sunday morning, when I managed to catch the fine music of the local St Eugene's Cathedral Choir and their guests the St Mary's Pro-Cathedral Choir from Dublin. It was the inaugural festival for Derry's City of Culture year and all in all a wondererful integration and celebration of faith and culture.

A friend recently asked me about resources on the theme of remembrance for November, which got me thinking. As a result I've created a special page dedicated to such resources. It will be a work in progress - I'll add to it through the month. Click here.

Had a great time at the RE Congress last Saturday in Mater Dei Institute. The keynote addresses were thought-provoking (Archbishop Martin's talk is here), it was great to meet so many dedicated RE teachers and I hope my own workshop on Senior Cycle RE, Non-Exam was helpful to teachers. Thankfully the arts were not ignored! The music was varied, from Bernadette Farrell's familiar 'Christ Be Our Light', through Sebastian Temple's 'Make Me a Channel of Your Peace', to newer works like the Congress theme song, 'Fan the Flame" (Liam Lawton), Tom Kendzia's version of Psalm 103 and the upbeat recessional 'I Send You Out' (John Angotti). There were liturgical dancers early in the day and much attention given to symbolism, especially that of flame.

Two recent events reassured me that the faith is alive and well! I was down at the Faith Gathering in Ennis last week to give a workshop on 'Finding Faith on the Internet' (good to meet some from the Faitharts list) and was impressed by the huge crowds that attended and the large number of intetresting workshops. Great attention was given to the prayer services and ceremonies. One song that made an impact was a version of St Patrick's Breastplate composed by David Kauffman. I've added this workshop to the list of available workshops I can give. Check out the list here.

Meanwhile back in my home parish of Arklow there was a parish Mass for the start of the academic year involving participation from all the local schools - great to see effective parish-school links. Again one song grabbed my attention - 'The Lord is My Shepherd', by Ingrid DuMosch, performed with soul by local student Ciara O'Connell. The clip on left is a duet version, not sure who the male vocalist is!




Last Wed night's Leonard Cohen concert at the O2 was one of the best concerts I've ever been at. It was an expensive night but the audience wasn't short changed as Cohen gave it his all including several encores. The words that spring to mind as I try to describe the event ... beauty, dignity, grace, presence, depth, humour, mischief, intensity, intimacy. Cohen was masterful as expected, and funny too, but his backing band and and singers were also superb, in particular the Webb Sisters and Sharon Robinson. I don't know where Cohen is at on his spiritual journey or what kind of a journey he is on, but his songs are and always have been suffused with religious language and imagery. I won't go into any deep analysis here but a few songs struck me as particularly noteworthy. After the romanticism of 'Dance Me to the End of Love' there was the hard-hitting 'The Future' with its repentance theme and these chilling words: "Destroy another fetus now We don't like children anyhow I've seen the future, baby: it is murder ". 'Come Healing' was particularly beautiful - "And let the heavens hear it, The penitential hymn, Come healing of the spirit, Come healing of the limb", enhanced by the gorgeous backing vocals. 'Going Home' was a gentle reflection on mortality with an eye to the afterlife - "Going home Without my burden Going home Behind the curtain Going home Without the costume That I wore". After Cohen's opening recitation the Webb Sisters gave a moving performance of 'If It Be Your Will' - "If it be your will, To let me sing, From this broken hill, All your praises they shall ring " (see them perform it here). Like many of Cohen's songs it came across as a kind of prayer. In fact he performs many songs as if they were prayers, and maybe they are.
I've rarely used Cohen's work in school, as there is frequently 'adult content' and the messages are often obscure and open to all sorts of interpretation, though I have used Jennifer Warne's versions of 'Joan of Arc' and 'Song of Bernadette' (which he co-wrote with Warnes) when covering arts and faith in a Transition Year module.

Last Wednesday I went to see Joe Henry playing a concert in Whelans. Henry is a US singer-songwriter who is widely known as a producer as well - recently he produced albums for Bonnie Raitt and Lisa Hannigan. His songs sometimes feature spiritual or religious themes or imagery, the best known example being 'God Only Knows' which featured on Bonnie Raitt's recent album. Unfortunately he didn't sing that one on the night, but the gig was really enjoyable. Henry's songs repay repeated listenings as their meanings are certainly not yielded up easily. He said onstage that his wife regards his songs as 'obtuse'! They are definitely genuine and thought-provoking, performed with passion! The icing on the cake was Lisa Hannigan doing backing vocals and playing mandolin (see pic).

Very sad, but inspiring, to be listening to coverage of the funeral of Seamus Heaney RIP. Only last year I had been covering Heaney's poetry in 5th Year English. As far as religious faith goes two of his course poems stood out over the years - in the early days on the new English course there was St Kevin and the Blackbird, a quirky poem about prayer and much more. I got some fun, and hopefully a good learning experience for the students when we re-enacted St Kevin's discomfort, 'arms outstretched'. Also quirky was Lightnings viii with it's odd scenario of the monks at Clonmacnoise at prayer when 'A ship appeared above them in the air'. The students produced some great artwork to illustrate that one! No doubt, speculation will be rife that they'll surely put Heaney on next June's exam paper!

Delighted to get my copy of Seek and Find, the new RE Text for Senior Cycle in the post today. This is the text co-written by Katherina Broderick, Elaine Costelloe and myself, and edited by Ailis Travers. It's now available from Veritas - details here. Needless to say there are plenty of arts based resources - film, music, visual arts and poetry.













Last weekend I had my first visit to the Albert Hall in London for one the BBC Proms concerts. What an impressive venue - (see pic above)! Performers included the Irish Youth Chamber Choir, the National Youth Choirs of Great Britain and the National Youth Orchestra of Great Britain. First up was Vaughan Williams setting of the Walt Whitman poem Toward the Unknown Region, but the highlight for me was the climax of the evening - the familiar fourth movement of Beethoven's Symphony No. 9 with it's uplifting Ode to Joy - 'up above the starry vault/a loving father must surely dwell'. The concert was filmed for BBC Four and will be broadcast on Fri 6th September.


Looking back through highlights of WYD in Rio I came across this striking performance by Matt Maher, of 'Lord I Need You'. I think it's the first time I've seen anyone performing from a kneeling position!


I see that one of my favourite films The Execution of Private Slovik is now available on DVD (e.g. here at Amazon). This is a 1974 TV movie starring Martin Sheen in the true story of Eddie Slovik, the only US soldier executed for desertion in World War 2. Have ordered it from Amazon, but I did get to see it again few years ago and here's what I wrote at the time: 'It was simple basic and hard hitting, and as moving as ever.
It is not in the least heavy handed in it's message, and some viewers may even find Slovik a somewhat unsympathetic character. Two scenes in particular are useful for class - around the middle of the film the chaplain talks to the firing squad about the morality of it all, and towards the end there is Slovik's final experience of the Sacrament of Reconciliation. He prays on the way to execution, but this scene is tough going and may not be suitable for younger classes at least. And without the context of the full film the emotional impact wouldn't be the same. '

Finally caught up with the film Stella Days last night. I was well disposed towards it, being a fan of Martin Sheen, but though it has its good points I found it hard to warm to. Clichés abound in yet another of these awful-Ireland-of-the-past films. The storyline has Fr Barry (Sheen) starting up a cinema in Borrisokane, out off his love for the art form but also to raise funds for a new Church he's not too enthusiastic about. Predictably the cardboard cut-out cranky old bishop (Tom Hickey, in an unsubtle performance) is against it on moral grounds (the filth!) until he sees the money being raked in by other cinemas. Even more opposed is the local politician, right wing Catholic of course (one-note surly acting from Stephen Rea).
In a way there are too many plots, many of them predictable, for any of them to be handled with any depth - the story of Fr Barry's vocation, whisked away to seminary at age 12, the handsome new teacher who falls for the lonely abandoned wife, the young boy waiting for his father to come home from England, the EBS woman promoting rural electrification, the old lady whose faith is dodgy but who thrives on multiple anointings. The verdict isn't all bad however. Martin Sheen brings a certain warmth to his role that is largely absent from the rest of the film. We can empathise with his efforts to live out a vocation he may never have had, and yet see the vanity that motivates to want to get back to the academic life in Rome. I can't remember any instance of him praying, he's overly distracted by the cinema controversy and in one scene seems unconcerned or even tacitly approving of the adulterous relationship between the teacher and the lodger. Yet he cares for and is kind to his people without in any way trying to lord it over them as the politician and the bishop would like him to do. They're big on control while he wants to be of service.
Though largely dark in mood, the films tries hard at the start to be whimsical, with a pleasantly light-hearted music score and some entertaining confession scenes to add to my collection - most of the time it's people confessing that they've taken the Lord's name in vain. We see him performing several of the Sacraments, for the most part treated respectfully, though one scene seemed to suggest that the new electric cookers were 'magic' like the Eucharist. I couldn't see myself using the full film in class, but the confession scenes might be useful.


I was most impressed by the art work and music at the World Youth Day ceremonies that I saw on TV and online. However what stood out for me was Judy Bailey's performance of her own song 'Life Goes On' at the WYD vigil. I'm including the video here. It seems to be about saying goodbye to a loved one who has died so it may well bring a few tears, but what a beatiful and touching song! The full WYD vigil is available for viewing here.

Last Monday I did my usual monthly slot on Spirit Radio, and this time I visited their new studio in Bray. The songs I used were 'These Hands' by Dave Gunning, 'Broken (I Will Wait' by Chris Taylor (see below, entry for 19/7/13 for both songs) and 'Watchmen' by an interesting California band Castles in Air.

Have been listening to some good new music recently (new to me at least) - Canadian Dave Gunning's song 'These Hands' (above) would be particularly good on the vocation/service theme. It's on his current album No More Pennies. The song has already inspired a children's book of the same name. The book features 17 vibrant, original illustrations by Meaghan Smith, as well as the lyrics and sheet music to the song. More info here.

Journey into Love (Songs for the Road) is a fine new album by Chris Taylor, which includes some well crafted meditations on St Paul's words about love, a contemporary version of 'Amazing Grace' and more. 'Broken (I Will Wait)' is one of the best tracks (see below)




Last Wednesday I got to attend a concert featuring L'Angelus, a Cajun band from Louisiana. As always the performances were high energy stuff with lots of great music and instrumental prowess. As usual with this band there was some spiritual material - fine versions of 'Be Thou My Vision' and 'Ave Maria'. They sand a beautiful version of 'What a Wonderful World' and by conttrast lots of Cajun dance music. If there was any fault it was the lack of enough new material - I had heard most of the songs on previous tours. The venue was Tobar Mhuire Retreat Centre in Crossgar, Co. Down, and an extra treat was to have dinner with the band before the gig and supper afterwards as we were staying over. First class hospitality from the Passionist priests and and all the staff! We got to visit their new meditation garden which was very attractive with its meandering paths, nooks and crannies and an outdoor Mass venue (pic below) .


Having missed the first Nightfever event I was determined to check it out last Thursday night, and what a beautiful experience. The format was simple - a prayer vigil in Clarendon St Church off Grafton St on a Thursday night, shopping night in the area, with volunteers on the steet in their day-glo jackets inviting people in to pray with candles and petitions. Many passers by were taking up the invitation and what they found inside was a calm prayerful vigil, with beautiful live music and an altar lit by candles whose numbers grew steadily as more and more people, most of them young, came in. One could pray for a while, go out for a chat or tea and come back in again. Some priests were available for those who wanted Confession or just a chat. It struck me that this was the kind of format that suits a lot of people nowadays - informal, deeply calm and spiritual, prayerful and social. A Holy Hour in the old style might seem daunting to some, but this was a holy three hours or more that to me at least flew by. The next Nightfever event will be on Saturday night 21st September - worth putting in the diary straight away.


I have been doing GM Hopkins in 6th Yr English - my notes are available, including on religious themes. Just request through contact link on left.

In 3rd Yr RE we've been covering issues of law and morality, and I'm using the superb film Sophie Scholl to illustrate some of the ideas, and to give an end of term treat! Going down well so far. As I have three 3rd yr classes I see every segment three times (sometimes in one day!) but I still love it! My study guide to the film is here

Sometimes when spirits are waning at this time of year and exams loom large I do stuff in RE non-exam that may be useful in exam classes - eg looking at religious themes in Macbeth with 6th years, or doing religious themes in course poetry. The Sophie Scholl film should help with German aurals! I'm sure many links could be made with other subjects. Of course some have state RE exams and therefore enough to do in RE class.

Last Saturday I went to see a TeenspiriT concert in the Arklow Bay Hotel, and it was quite a lively night of gospel songs and secular music that had a positive message. I'm not sure where 'Sweet Caroline' and 'Waterloo' fits in there, but everything from 'Ave Maria' to 'Don't Stop Believing' worked well, and the enthusiasm of the young teens was infectious. It was good to see the vocal solos spread around so many from the choir, and the small backing group was excellent, with some tasty lead guitar for example.


Have been exploring the topic of prayer with 3rd year students. Needless to say there's a wealth of resources. Music-wise, in class or in prayer room I used 'Be Thou My Vision' by Michael Card from his Starkindler album, 'Where Do I Go' by Gary Chapman and Ashley Cleveland from the great 'Songs from the Loft' album, 'Only in God' by John Michael Talbot (his albums are great resources for all sorts of topics) and 'Dare to Believe' by Randy Stonehill from his album Edge of the World. Some of these songs are actually about prayer and therefore particulary useful. Most of these songs are available online at sites like iTunes, 7Digital and YouTube. Powerpoints have also been useful to show various types of prayer, locations for prayer and aids to prayer.

Last weekend I got to attend a brilliant concert featuring
Sarah McQuaid, a Cornwall based singer-songwriter with Irish, English, Spanish and American influences. Venue was the excellent Conary Arts Centre near Avoca, Co. Wicklow. McQuaid's performance was marked by an emotional and musical warmth, aided by the intimate nature of the venue. Her repertoire includes many traditional songs like'In the Pines', and some fine original material. I'm glad she included 'In Derby Cathedral' (clip above) from her current album The Plum Tree and the Rose, it must be one of my favourite spiritual songs from 2012. Also in a spiritual vein was the old folk song 'Uncloudy Day' from her album I Won’t Go Home ’Til Morning, while the touching 'Last Song' from the same album, was also one of the highlights.

On my Spirit Radio slot last Monday I reviewed these songs along with another spiritual song 'Wondrous Love'. You can listen to all of Sarah's songs here. I also reviewed the ITV drama series Broadchurch, full review below, entry for 25/4/13.

Have just come across an interesting Facebook page that might be useful for RE teachers - Beatiful Christian Pictures features a variety of images that should help to illustrate many of the themes covered in RE courses.


I'm happy to announce that along with Katherina Broderick and Elaine Costello I've co-authored a new RE text for Senior Cycle. Seek and Find, edited by Ailis Travers, will address the NCCA framework syllabus (non-exam) and will be published by Veritas. Needless to say, arts resources will be prominent! For a look at some sample lessons and to get an introduction to the book click here (booklet in pdf format).

The few new TV dramas I've tried of late weren't that appealing, but I have been enjoying Broadchurch on ITV Monday nights. It's an intense crime drama centred around the death of a child, so it's quite harrowing at times, especially when the agony of the parents is highlighted. But the depth of character over the last few weeks has been exceptional - from the troubled head policeman, played by David Tennant to the various suspects, all with something to hide. One of these, a young vicar and recovering alcoholic, is presented, as is his religion, in quite a positive but realistic way. The pregnant mother (Jodie Whittaker) carries much of the emotional weight, and in last week's episode it was quite lyrical and moving when she and her husband got all emotional on seeing their new baby on the ultrasound scan, all the more so as she had been hesitating about seeing the pregnancy to term. The drama is free for the most part of the so-called 'adult' elements of other, more high-profile TV dramas, and it seems to me that the creators of the show have a warm love and understanding of human nature, and yet are well aware of the requirements of a good thriller. Last Monday saw the final episode and it didn't disappoint - it was intense and gut wrenching, but still with a solid sense of humanity. It included another touching sermon from the vicar. Significantly, we found out who the murderer was early in the episode, and the rest explored the emotional impact of the revelation - most crime dramas wouldn't try it that way but it worked really well.


Hadn't realised it was so long since I'd posted, must get more focussed, but it's been a busy time at school.

Have come across an interesting article 'Cool Teachers’ Guide to Pop Culture in the Classroom' which may have some ideas applicable to Religious Education. Well worth a read! Quote: 'You may feel silly or out of place bringing pop culture into the classroom, but the benefits of its educational use are too great to ignore. Pop culture is more than entertainment; it’s a useful tool for connecting with students, improving engagement, and deepening understanding. ' There's a chance to engage with the writer's ideas at the end of the article.

Today in RE class we were discussing types and purposes of prayer and after some of the usual stuff a student suggested 'prayer of self pity', which made me think for a bit. I suppose we do fall into that trap now and then. Hopkin's poem 'Thou Art Indeed Just Lord' came to mind - where the priest-poet complains, respectfully, to God that all his efforts come to nothing while the sinners are having a great time. Maybe his mistake was self pity? Maybe he should have refrained from regarding himself as separate from the sinners, or considered that they may only seem to be doing well. Perhaps his failed efforts are due to a wrong headed approach on his part. In another poem, 'I Wake and Feel the Fell of Dark' he seems to realise this - 'Selfyeast of spirit a dull dough sours'.

Thinking back on a programme I saw during Holy Week - Are You Having a Laugh? - a strange title for a Holy Week programme, but apart from the timing, the show of that name, on BBC One, was a useful exploration of how Christianity has been treated by comedy in recent years, especially in the UK. The programme was presented, as an authored piece, by Ann Widdicombe, former MP, prominent Catholic, and articulate defender of Christianity. She didn't seem to be too bothered by 'gentle mockery' of Christians, but was offended by direct and contemptuous attack on the tenets of faith and on the person of Christ. She showed, by using various offensive clips, how this was becoming more commonplace.
Needless to say Monty Python's Life of Brian figured large in the discussion. Like Widdicombe I found the notorious crucifixion scene particularly offensive and no amount of rationalising by contributors helped - e.g. saying that this wasn't really about Jesus but about Brian who was mistaken for the Messiah. Comedian Steve Blunt reckoned if he was a Christian he'd find it 'jaw-droppingly offensive' but pointed out the irony that the jokes only worked for an audience thoroughly familiar with the New Testament. We heard of an episode of an unfamiliar British sitcom where gross disrespect was shown to Communion by the characters and protests led to the episode being withdrawn for good, and truly it was hugely offensive. The writer claimed it was just to show what happens when people don't understand what's going on in church, but you could make that point more subtly. One comedian, Marcus Brigstoke, didn't want any lines drawn for him about the limits to which comedy could go, but he did admit that comedians tend to be arrogant, and seemed to reconsider his position when Widdicombe spoke of how 'wounded' she was when the person of Christ was attacked - a little victory for dialogue perhaps. Widdicombe and other contributors suggested that the rise of militant creationism and evangelical fervour in the USA led to a strong counter reaction from comedians, but that led to easy attacks on stereotypes and the misunderstanding of mainstream Christians.
I'd like to have seen more contributions from comedians who are Christians, and more emphasis on gentle comedy (as distinct even from gentle mockery) that laughed with the Church rather than at it. Surprisingly Father Ted and The Simpsons didn't figure, but some commentators were positive about the recent BBC drama series Rev, which was comic in part but also took religion seriously.

Did a class today on St Patrick with first years. Some of the resources are here. (See also some of the programmes listed for Patrick's weekend) Pope Benedict in many ways raised the profile of arts in the Church, especially in relation to liturgical music and I'll miss him for that. Glad to hear that Pope Francis taught literature in the past!

Have been listening quite a bit to the CD The Spirit Speaks My Name by Sr Marie Dunne - excellent liturgical music, and makes for prayerful listening as well. My favourite track is 'A Stranger No More', about the gift of hospitality. Many tracks are sung by Patricia Bourke D'Souza, but there are some choirs as well. Will write a full review soon.




This week I was back onto the 'Images of God' topic with first year students and it was great fun as usual. Getting them to draw God without any prior discussion always works well and provokes interesting discussions - e.g. why so many students putting beards on God! When they say it makes him look wiser I stroke my beard and say thanks, when they say it's to make him look older I frown. The most unusual artistic effort this time was one boy who drew the Man Utd. crest! As a follow up I used my Images of God Powerpoint. That's still available on request - see contact details on left menu. I also used some of collection of 'God clips' - film clips with actors playing God. I get the students to rate each portrayal, and say what are the good and bad points of each portrayal, which again produces some fascinating responses.

Last night I went to the ACE gathering in Merrion Square and the music, which is always good was better than ever, probably thanks to the presence of Steve Warner, composer/director from the Notre Dame Folk Choir. I was particularly impressed by the Communion song 'Tree of Life' and the recessional 'Live on in My Love'. In conversation afterwards I was delighted to know that Steve, like myself, was a Jennifer Warnes fan!

I was yet again convinced by the power of stories in RE this week when I was covering that part of the Junior Cycle course that deals with Judgement, Heaven, Hell, Purgatory. I've put together one story-based resource for the occasion - it's one I've used and improved on (I hope!) and this year I found it worked particularly well. I can send it on request. At some stage, if I ever get the time, I'll create a downloads area on the website. Maybe I'll introduce the idea of a 'Resource of the Week' .... maybe .. (Last week's Prodigal Son Powerpoint is still available). I find the poem 'Love' by George Herbert very useful here - the sinner feels himself unworthy for Heaven, so the host (Love/God) has to persuade him to come to the heavenly feast. See it here: I also used the old Insight video 'Packy' (aka 'The Rebirth of Packy Rowe') starring Jack Klugman (who died recently) and Bob Newhart (as God). No sign of this online anywhere but it may be lurking in some dusty RE cupboard in school as Veritas used to do these Insight videos years ago - you'll know it by the plain yellow cover! Here a man dies, and needs to be convinced of his own inherent goodness before he can move on to Heaven. (there's also a brief reference to a man being 'detained'! The script is clever and witty and the acting is fine, though Newhart makes God look a tad insecure! It's great also for classes on Images of God. I link this with the judgement scene in Matthew 25: 31-46, which also has the idea of the 'righteous' surprised that they are saved.

Have been working on the Prodigal Son story with 3rd Year classes, in the context of moral failure, forgiveness and reconciliation. What a great resource! I put together a basic Powerpoint featuring various images of the Prodigal Son, which I can send on request. I showed and discussed the images and then got the students drawing their own. Very few copied the images I showed, opting instead for more original work. Many drew a path or road as part of their artwork which facilitated discussion of the path through life, journey etc. The story can be read from Bible or Textbook, or there's a powerful clip of Jesus telling it in Jesus of Nazareth (see clip above)

Also while covering this topic I've used two songs - 'Under the Rug' by Randy Stonehill, which shows how we can hide our sins rather than dealing with them (see it here:, lyrics here: ) 'Forgiveness' by Peter Katz - deals with the forgiving attitude of Michael Berg whose son Nicholas was killed by terrorists in Iraq. (see it here:, lyrics here: )

Two fine shows I finally caught up on - first off Coal, Frankenstein and Mirror: An Irish Nativity, shown on RTE 1 just before Christmas. The programme followed nativity play preparations in four Irish primary schools and it was a marvelous documentary on all levels. The cameras seemed to blend unobtrusively into the background allowing the children to be their own charming selves. Students vied for the main parts but I was struck by how many of the girls wanted to be St Joseph! What gave the story an extra emotional texture was the highlighting of the background stories of some of the children - the girl whose father had died the previous Christmas, the boy whose mother nearly missed the play because she had to get hospital treatment, the deaf girl who signed the narration in her play, the girl whose mother was an African refugee coping with a new life in Ireland. Full marks to narrator Ronan Kelly and producer/director Niall Matthews.

And if that wasn't enough Christmas spirit Carols from the Castle (RTE 1 Christmas Eve) was exceptionally good. Mary Kennedy was the perfect presenter and the RTE Concert Orchestra was in fine form. I thought Andrea Corr did well on 'Oh Holy Night' and 'Oh Little Town of Bethlehem'. I enjoyed Sinead O'Connor and Danny O'Reilly singing 'When a Child is Born' but found O'Connor's rendition of 'Once in Royal David's City' rather unnerving. Voice winner Pat Byrne did well, Michelle Lally sang a soulful 'Ín the Bleak Midwinter', the colourful TeenSpirit choir exuded youthful enthusiasm as always, while Frankie Gavin and friends added some traditional Irish flavour.

Yet another cool date, had to get another blog entry out today. Good to see the arts featuring in the Prescribed Titles for Junior Cert RE Journal Work 2014. D1 - The Question of Faith - * Family, * Music, * Work - A reflection on the way two of the above can help people find answers in their search for the meaning of life today. E1 - The Celebration of Faith - Religious icons have been described as paintings or images that help people to pray. Research the ways in which one religious icon is used in worship by the members of a community of faith. In a way it's a pity that last one confines students to just one icon, which is rather limiting. Will people go for Rublev's Icon? Or would the typical Sacred Heart picture do? Or the Crucifix? Any ideas anyone?

Tonight, Tuesday, the film Gran Torino is on TV3 at 9pm. There's a great Confession scene with the Clint Eastwood character, an interesting young priest character who doesn't fit the normal stereotypes, and themes of racism, and interesting takes on the theme of revenge.

Speaking of Clint Eastwood I saw the Oscar winning Mystic River for the first time during the holidays and was impressed. It's rough, with lots of F-Words, fairly strong violence and a child abuse theme, but none of this is gratuitous and the film is superbly directed by Eastwood (he doesn't star) and the acting is top-notch as would be expected from the likes of Sean Penn, Tim Robbins, Kevin Baco and Laura Linney. It's a murder story with an absorbing plot, but is full of humanity. There's a religious background in that many characters are Irish Americans, and there's a First Communion scene.

Also saw the film Nativity! for the first time - it stars Martin Freeman as a teacher in a Catholic Primary School in England who is reluctanly persuaded to take on the school nativity play. I don't think it's a classic, and teachers will find some unrealistic elements (e.g. a teacher taking two pupils to Los Angeles under the impression that parents had signed permissions!), but it's good natured and amusing, with some touching scenes. The final nativity play is more than a tad over the top, but there's no denying the feel-good atmosphere.


Previous Blogs:

July-Dec 2012; April-June 2012; Jan-March 2012

Oct-Dec 2011; July-Sept 2011; April-June 2011; Jan-March 2011

Dec 2010; Oct-Nov 2010; Aug-Sept 2010; June-July 2010; May 2010; March-April 2010; Jan-Feb 2010

Nov-Dec 09; Oct 09; Sept 09; Aug 2009; July 2009; May-June 2009; April 2009; March 2009; Feb 2009; Jan 2009

Dec 2008; Nov 2008
; Oct 2008; Sept 2008;Aug 2008; July 2008; June 2008; May 2008; April 2008; March 2008; Feb 2008; Jan 2008;

Dec 2007; Nov 2007; Oct 2007; Sept 2007; June-August 2007; May 2007; April 2007 March 2007; Feb 2007; Jan 2007;

Dec 2006; Nov 2006; Oct 2006; Sept 2006; June 2006; May 2006